This book is horrifying.
For anyone concerned about racism in the criminal justice system, this is a must read and a truly original contribution to the conversation. Drawing on thousands of hours of actual observations in the Cook County criminal court system (Chicago), Nicole Gonzalez Van Cleve exposes the various forms of racism that exist within the culture. The scene is set by a sad and shocking context: a huge courthouse, built next to a huge jail, built in a poor area where mostly people of color live. The people getting charged and the families of defendants are overwhelming people of color, mostly from that area. Next, you have an almost all white cast of judges, prosecutors, lawyers, and defense attorneys—all commuting to work from a different area. Even the professionals find this very peculiar and odd, although they become desensitized to it eventually.
Cook County is a highly efficient cattle call of defendants taking a “plea” (pleading guilty for a reduced sentence) and going to jail. After finishing the book, the words “due process” and “justice” and “adequate representation” are non-existent. Most shocking is the more overt, “old school” racism. For example, a prosecutor will openly mock a defendant by talking in Ebonics. Or the term “mope” is the official term for most defendants in the system: lazy, criminal, undeserving defendants that suck up taxpayers money, a term which closely resembles another racially charged word that we don’t say anymore. Or the way people of color are segregated from the court proceedings, kept in a bullet proof room in the back of the court. These are defendants families, victims’ families, court watchers—again almost all Black or Brown. Frequently, they are dealt with in a rude, humiliating, or even aggressive way by judges or sheriffs.
Although the writing is a bit bad, repetitive, and academic (and I almost put the book down for that reason), I am enriched by the content and original research that went into it. The entire history of racism is brought to bare and applied in specific ways. The author has keen insight into the nuance of how racism becomes cultural and institutional—it’s not just a few “bad apples”. She goes out of her way to get the perspectives of prosecutors, judges, and defense attorneys—all who do not, by the way, end of looking very good at the end. In fact, the defense attorneys end of looking surprisingly bad. You feel the sheer exhaustion, outrage, and guilt the author feels as she finishes the book. After all, in order to get the “inside” scoop, she essentially goes undercover as a clerk and takes part in the culture that she is writing against. And for what end? To expose the reality of day to day life in a real court system, something that can only be gleaned by observing it.
"She's a Proustian minimalist on the order of Lydia Davis, both in the way she distills complex thoughts on time and memory into pure essence and in how she examines writing as a means of control." –-Kirkus Review
So much more than a chronicling of her obsessive drive to record the totality of her life, Sarah Manguso’s bold memoir meditates on her relationship to her voluminous diary (over 800,00 words and 25 years in the making), its purpose and her decision to reduce its impact after becoming pregnant. In her spare yet precise prose, we discover Manguso’s documentarian ethic is more than simply an act of recounting the mundane gist of everyday life. It is an attempt to negotiate with the transience of things and moments, their meanings and the indifference of time’s inexorable erasure of memory. Ongoingness: the end of a diary, a slight text, holds the weight of bold, philosophical ideas about the relationship between writing and living.
On the eve of publishing a book of poems about a murdered aunt, whose 1969 death was thought to have been part of a killing spree of a serial killer who targeted college age women near the Eastern Michigan and University of Michigan campuses, author Maggie Nelson unexpectedly received a phone call from a police detective in Ann Arbor, Michigan, who tells her that he believes he's cracked the case and is about to arrest a new suspect. This is where The Red Parts, Nelson's brilliant true crime memoir begins.
Local readers may recall the case given the suspect was employed at Borgess Hospital and lived in nearby Gobles. More than simply a straightforward account of the criminal trial, Nelson critically probes her own complicated family history in addition to trying to make sense of our culture of violence and sexism. Available to stream using your Hoopla account and in book form, The Red Parts is a fascinating page turner from a writer with a fresh, bold voice.
With zero knowledge in dressmaking, I was able to make a dress and a skirt all by myself with Tilly Walnes’s Love at First Stitch!
This book is the 2014 Best Sewing Book in the British Sewing Awards. It includes seven cute projects to teach you the necessary dressmaking skills with clear instructions and photographs. You will learn a new skill in every project, including inserting invisible zippers, gathering, making waistbands, stitch in the ditch…
This is by far my favorite sewing book. It doesn't only teach you the skills, it also shows readers that sewing can be a form to express our feelings. Sewing is not an old fashion; sewing can be fun and modern! We all have the ability to create.
Also, patterns are included. One more reason why I love the library!
Swimming in the Sink is the fascinating true story of the accomplishments and life challenges of author and open water swim athlete, Lynne Cox. Cox, has broken many records such as swimming across the English Channel at age fifteen, being the first woman to cross the eighteen mile Cook Strait, as well as swimming in various frigid locales such as the thirty-two degree Antarctic Ocean. That last achievement she completed without the aid of a wetsuit and her swim lasted twenty-five minutes!
Her ability to withstand watery conditions that would cause most other humans to experience a life threatening hypothermic event, brought her to the attention of scientists at the University of London, with Cox sitting in a laboratory, her hand immersed in ice water and probes attached to various parts of her body.
This isn't only an account of the daredevil adventures of a cold water super swimmer, it is also the story of the very personal struggles she faces in the forms of a series of rapid losses, first of her parents and then of a much loved canine companion.It is also about illness, since Cox herself is diagnosed with atrial fibrillation, which threatens her passion for swimming, her self image, and indeed her very life.
This is a fine narrative of the human journey with all it's component elements of triumph, loss, redemption and love.
I clearly remember learning penmanship in the early grades
at my elementary school. We first were taught manuscript printing and then
graduated to writing in cursive. I tried so hard to make my letters look like
they did in our instruction books and on green placards the teacher had put up
over the blackboard, succeeding at least some of the time. Fast forward to
2017. I have reverted to using manuscript printing a lot of the time, or at
most, a hybrid of manuscript and cursive. The only time I use cursive
exclusively is to sign my name on my checks, and I don’t even write that many
of them anymore. What precipitated all this reflection is a 2016 book by Anne
Trubek which is about ‘the history and uncertain future of handwriting.’ She
says, ‘The future of handwriting is anything but certain. Its history, however,
shows how much it has affected culture and civilization for millennia.’ This
book is panoramic, tracing the story of handwriting from earliest times all the
way down to the digital age when keyboarding in the form of texting, e-mailing
and social media is so prevalent. Ms. Trubek maintains that there are artistic
aspects of handwriting that need to be preserved, such as in calligraphy, but
the loss of handwriting’s prominence will also ‘give rise to changes—in
accessibility, in democratization, in advantages unimaginable to us now—that
should be celebrated.’
I’m late in discovering the hilarious and uncomfortably honest writer Samantha Irby. I happened to hear her speak with fellow funny feminist writer, Lindy West, at Bookbug recently, and immediately picked up her 2013 debut Meaty. I loved it and only regret that I hadn’t read it sooner. Meaty is a collection of essays about Irby’s life, touching on topics such as sex, fatness, blackness, poverty, and of course, tacos. I devoured this funny and sometimes-crass book quickly and wanted more. Luckily, Irby has a new book, We Are Never Meeting in Real Life, coming out at the end of May.
There were moments when I had to put down the book to take a break.
One Child discusses about the controversial One-Child policy in China. The author Mei Fong, a Malaysian Chinese, interviewed women and men from all across China to try to get a full picture of the origin and the consequences of this policy.
It all began in the 1980s, when the Chinese government believed there were too many people in China. They were afraid that their country could never grow strong with that many people. Therefore, families were to only have one child, with few exceptions. Most of the women who were caught with a second pregnancy were forced to abort their babies (including late-term abortion) or to pay a huge fine; or else their relatives would get locked up, properties would get destroyed, until they agreed to give up the baby.
And sometimes even when some of these babies were born, they got sold to orphanages by government officials for adoptions.
As a Chinese, I have a lot to say on this subject, but I don’t know how to accurately put it in words. My home back in Hong Kong was only a 15-minute drive to the mainland. I wouldn’t be here if my parents were living on the other side of the border, for I am the third daughter in the family.
It’s the time of year when our camping gear comes out of storage and we start to think about where we will explore Michigan this summer. For years, one of my favorite resources has been the Best Tent Camping Michigan guide.
I always research any travel destination online and in print books. KPL has so many helpful resources for planning your next adventure in Michigan, or anywhere else.
Olivia's Birds: Saving the Gulf was published in 2011 when its author and illustrator, Olivia Bouler, was just 11 years old. When Olivia learned of the Deepwater Horizon oil spill in the Gulf of Mexico in 2010, she offered to donate her paintings of birds to anyone who donated money to the Audubon Society; she helped to raise over $150,000 for recovery efforts. The book offers interesting facts about birds, but what really stands out are Olivia's beautiful illustrations. Her book also includes kid-friendly tips on how to preserve our planet.