Staff Picks: Books
Staff-recommended reading from the
Vermont based, veteran children’s book author/illustrator and artist Lizi Boyd’s latest literary effort is a wordless picture book that is deceptively simple. Inside Outside incorporates cool, slightly hidden, die-cut page openings through which readers can catch glimpses of what’s transpired and what is yet to come. This device is used to slyly, yet gently tie in the future and the past to the present, underscoring the continuity of the passage of time.
By means of bright, sharply colored drawings set in a predominantly muted, light brown background, Boyd tells the story of a seemingly self-sufficient young boy doing inside and outside activities over the course of one calendar year. Inside overlaps outside, and outside overlaps inside with each turn of the page, until we come full circle to the initial season once more.
With a collection of animal friends lending a helping wing, paw or claw, the young boy proves that there is no room for boredom no matter what time of year it is. Together they read, make crafts, fly a kite, plant a garden and engage in more activities than I could list here.
This book is great for a “one-on-one” reading session. That way both child and caregiver can pour over the intricate illustrations that show plenty of action both obvious and hidden, and share in the mutual delight brought about by their discovery.
Lizi’s dogs both agree.
You Gotta Have Art! After reading this simple picture book, the importance of art in our lives is so obvious, you might be inspired to visit an art museum, such as the Kalamazoo Institute of Arts where children age 12 and under are free. Kalamazoo Public Library has many insightful art books for you. We will assist you with finding them.
The Museum is a simple story in rhyme about a girl’s experiences and emotions on a visit to an Art Museum. She is energized and inspired. “When I see a work of art, something happens in my heart. I cannot stifle my reaction. My body just goes into action.” And “Its rhythm exists in all I see. The museum lives inside of me.” The watercolor illustrations blend beautifully with the book’s subject. At the end of her visit, the girl finds an empty canvas and suddenly she realizes that she can fill it anyway she chooses!
Test your art knowledge and see how many art pieces you can identify in this picture book!
Are you interested in modern art, but don’t know quite what to make of it? Do you just keep your mouth shut, because you don’t want to come across as stupid? Do you wish you had taken the time to take the Art Appreciation class in college instead of rushing through, taking only classes that fulfilled degree requirements?
Well, What Are You Looking At? by Will Gompertz can help you out a bit in all three of these cases. Gompertz was the director of London’s Tate Gallery and is now the BBC Arts Editor. He introduces you to dozens of artists and art movements from Impressionism up to the present, showing how each fed off those that came before and often were rebellions against the ideas of the earlier artists. My favorite part was a fun story about Robert Rauschenberg asking Willem de Kooning for a drawing so he could erase it. It’s interesting how many of the names that we use to categorize different movements were taken from derogatory reviews of their work.
The book includes some color plates of art work in the middle as well as some black and white images sprinkled throughout the text, but you will find yourself searching the internet for many of the works of art that are discussed, but not depicted. You will want to see what he is talking about and you might find yourself making your own explorations online.
This is a really easy to read and fun introduction to modern art.
What Are You Looking At?
“A dark night. Fox breaks into the henhouse. He reaches in. He grabs a chicken!!! He stuffs it in his pocket. Fox runs!”
Uh oh. When fox gets home and pulls that chicken out of his pocket he gets a big surprise. Outfoxed has comical illustrations that add a hilarious angle to this picture book.
I do love the picture books that Lucy Cousins creates! Her stories and illustrations are perfect for toddlers and preschoolers, featuring strong colors, chunky shapes, and concise yet complete storylines.
The latest is Peck, Peck, Peck, a square yellow book with finger-size holes punched through the heavy cover. “Today my daddy said to me, “It’s time you learned to peck a tree.” But once this essential skill is learned, will the little woodpecker stop at trees? I’ll bet you know the answer to that question!
Peck, Peck, Peck
Paul Thurlby, a British illustrator, is making a name for himself in the children’s book field by (among other things) naming the books after himself. And so we have here Paul Thurlby’s Wildlife. This is a visually rich collection of his wonderfully unique, simple yet colorful, drawings of 23 different creatures, each with a fun fact about the animal that helps make witty sense of the accompanying captions. Every animal is represented in a style that is reminiscent of poster ads from the 1930’s, 40’s and 50’s.
One example is “Armed to the Teeth” that informs us that, “Sharks are always growing new teeth to replace those that fall out”. Or how about, “Chill out - KEEP COOL” referring to the fact that iguanas must “...move into the shade to lower their body temperature.”
I read this July, 2013 title during a recent “Tales on the Trail” program that the Powell Branch Library holds along the Kalamazoo River Valley Trail. Kids, both young and old, were wildly interested in the text as well as amused by the cool art.
So, Thurlby’s imaginative fusion of strong visual design with wordplay and fragments of information works well on his intended audience. In fact, it should entertain little readers for more than just a single reading.
This book might also appeal to all animal lovers who are young of heart, for there is far more here than first meets the eye!
Paul Thurlby’s Wildlife
In terms of food preparation, we're living in a time when even the microwave seems too slow. With that thought as a backdrop, please consider this 2013 offering by Ms. Caitlin Freeman. She has written this book of dessert recipes that derive their inspiration from famous artists and their works. I would probably have been one of the last on the library staff to pick up this book; however, I had a wonderful art history course at WMU during my undergraduate days, the memory of which this volume caused me to recall. I think it would take even an experienced cook a lot of time and patience to make these treats, but the pictures make them look so good that I'm sure someone out there will want to give Matisse Parfait, Mondrian Cake, and Warhol Gelee a try.
Modern art desserts : recipes for cakes, cookies, confections, and frozen treats based on iconic works of art
In the past, I’ve enjoyed reading many non-fiction books about cats, my all time favorites being Dewey, Kitty Cornered, and Cleo. Now I think that I might have to add a new title to that list, Paw Prints in the Moonlight by Denis O’Connor.
This book was given to me as a pre-publication copy about ten months ago by a colleague, to whom I will always be grateful to for bringing it to my attention. It features the then twenty-nine year old author, Denis, who at the time lived in North Cumberland, England in a stone house circa 1876, complete with three-foot thick walls. One icy, stormy January evening, he discovers a silver grey cat screaming in agony and distress, twisting and turning in a trap, caught by the hind leg. Upon releasing the animal, he retreats back to the warmth of his dwelling. However, guilt induced concern makes him return to the scene and goads him into following the cat’s bloodstained tracks to an old barn. There he finds what turns out to be a female who, despite her injuries, has been driven by maternal instincts to return to care for her two, very tiny and bedraggled kittens. Being a cat and nature lover, Denis scoops up the entire group and carries them off to the local veterinarian. After examining the three creatures, the vet only has grim news: The mother cat is near death and her two youngsters are not faring much better. The vet proclaims that there is no hope for any of them, and suggests to Denis that the humane thing to do would be to put the entire lot down and thereby end their individual miseries.
While talking to the vet however, Denis notices that one of the kittens has moved to his outstretched hand and snuggles up to it. So he decides to deposit the little guy into a pocket of his sheepskin jacket and leaves the clinic. As he is walking out the door, the vet warns him not to get his hopes up for the kitten because, “The wee thing will suffer and die no matter what you do.”
Back home, the writer takes on the role of nursemaid to the tiny, shrew-sized kitten, who barely clings to life; the sole survivor of the storm’s havoc upon his feline family. He fills the ink sac of an old fountain pen with some warmed up evaporated milk, adds a few drops of halibut oil, and then feeds this concoction to the kitten who lays motionless in a blanket-lined box near a blazing fireplace. As he accomplishes that first feeding, Denis realizes that he has accepted a do or die mission that will require plenty of determination on his part, an unyielding will to live on the part of his charge, and a more than fair measure of just plain old good luck for both of them.
After a few stressful days, the kitten begins to rouse. A few weeks later, he seems to be out of the woods, showing a greater interest in his surroundings and becoming much more active. To encourage further progress, while at the same time assuring the cat’s safety while he goes off to work in a nearby college, Denis ingeniously decides to utilize a wide-bottomed, clear glass jug, covering it with cotton wool and placing the kitten within this new enclosure, next to the fire. Upon his return from work, he finds the kitten standing on its hind legs, peering out from inside the jug welcoming him home.
Thusly, the author names the little survivor Toby Jug. He grows into a truly beautiful adult cat with emerald green eyes, and long black fur that extends down to his nose where bloom a white moustache, mouth, throat and chest. It turns out that Toby Jug happens to be a Maine Coon; one of the largest of all domestic cat breeds. He also happens to have a personality all his own.
Author and cat develop an extremely close bond; Toby’s favorite pastime being sitting on Denis’ shoulder. Unfortunately, after only twelve too short years filled with many adventures together, cat and owner are separated by Toby’s death. That day, Denis makes a promise that he would write and publish a story of the life that he and Toby shared together.
Despite all the aspects that I found very attractive about this account, there was one that bothered me throughout. It was the author’s decision to let Toby wander at will in the fields and woods near his home. Denis states that Toby was his pet, but “...also his own cat who had enough of a wild streak to give him his natural rights and dignity as an animal.” Even though there were several close calls with wildlife and the elements, the cat was still allowed access to the outdoors at his discretion.
Personally, I could not let any of the three beloved felines who currently share our living quarters that same sort of freedom. The many dangers that are out and about, and the inherent risks that they could pose to their health and safety, are concerns that would constantly gnaw at the back of my mind.
This book took over twenty years to write due to the author’s sorrow and pain when he had to recollect their great times together that culminated in the loss of his wonderful friend. It took me ten months to complete reading it, because I found myself re-reading chapters multiple times. Simply put, I did not want the story to come to its inevitable end.
This is a heartwarming tribute that would appeal not only to cat lovers, but to anyone who has ever had a very special relationship with any animal. I absolutely love and recommend it. But make sure you have a box or two of tissues handy when reading. Believe me, you’ll make good use of them.
And if you keep your cat next to your heart like I do, please keep it indoors next to you. That’s the only place where it can revel in and enjoy the natural rights and dignity of being your true friend!
Paw Prints in the Moonlight
I love crafting books and crafting blogs and I always have! Nothing gives me more inspiration than reading stories about projects other people have figured out. At least right now with a full-time job and a toddler at home, that's what works for me. Hand in hand: crafting with kids, edited by Jenny Doh, is a book I really enjoyed recently that gave me lots of fresh inspiration for crafting with my girl at home. Not only is it full of inspiring parents who have simple and effective ideas for crafting with children, each person featured is a blogger with a blog full of other ideas. I love it! I've always loved making things but it can be hard as a parent to involve children in the process. As an adult, I can become product-oriented and it's important for me to remember that young children are more process-oriented. They want to experience things, not just get a finished product put together. And in that experience, they can practice all kinds of wonderful skills like fine-motor development, conversation, measurements, etc. If you're looking for some fresh ideas from real parents who craft with their children, this book has plenty. And if you are a parent who just likes to unwind with a craft book, even though you have no intention whatsoever of adding new projects to your long to-do list, don't worry....I'm right there with you and I won't tell. You can just soak up that inspiration and save it for a rainy day when you need the perfect new activity to keep everybody smiling! Happy crafting!
Hand in Hand: crafting with kids
There seems to be a real spike in the number of writers who are taking an interest in blending fiction with nonfiction, memoir and essay. The best of these are often clever and inventive hybrid texts that underscore the creative possibilities and evocative power of blending a traditional, linear narrative with a more fragmentary and poetic approach to language and style. Ali Smith’s new book Artful is simply an undefinable book that like the works of W.G. Sebald (The Rings of Saturn), J.M. Coetzee (Elizabeth Costello) and Geoff Dyer (Zona), strives to dismantle the narrow rules of what literature is and can be. The book is framed as a series of academic essays about art and literature channeled through a grieving narrator who is literally haunted by their dead lover, who we discover was the author of the papers (in reality, it was Smith herself who delivered these lectures). Smith’s project is to show us that fictional storytelling can be a vehicle for expressing fresh ideas about literature without that discourse being academically prose-less and obtuse, that it can explore the complex and beautiful marriage between art and life with originality.