Here's another book that's good either for browsing or for reading all the way through. English author Harford has in this volume written a chapter of five or six pages about 50 inventions that shaped the modern economy. I was not surprised to find that all this takes place in exactly 50 chapters. Included are many obvious inventions, like the elevator, air conditioning, clocks, paper, batteries, etc. But there are also many that I never would have thought to be inventions, although I have to acknowledge that they were, like management consulting, intellectual property, tax havens, and insurance. The fact that this book is written in a breezy, entertaining way makes it appealing to a wide range of audiences.
When I recommend books to patrons, I don't normally recommend the latest book. I normally recommend the books that I keep going back to. This book isn't a classic, but I've probably read it 3 times. Annie's Ghosts: A Journey into a Family Secret is the true story of Steve Luxenberg's journey to find out about his mother's sister, a sister that his mother only revealed upon her deathbed. The book is Steve's journey to learn more about this aunt, condemned to a mental institution, and the family her never spoke of her. Luxenberg explores life in 1940s and 1950s Detroit and in Eloise, the institution to which is Aunt was committed.
Those who are familiar with writer/comedian/actor John Hodgman's previous books of fake facts may be surprised by Vacationland: True Stories from Painful Beaches. (Those who are not familiar with his books may recognize him as the PC from the Apple television commercials or from his appearances on The Daily Show.) Rather than tongue-in cheek, Vacationland is an honest, humble, and heartfelt--yet still very funny--memoir of loosely connected essays, which do concern various vacation escapades but also wander into many other topics. In addition to recounting the mishaps of home-ownership, country life, and being a weird dad, Hodgman offers his personal insights on adolescence, only children, bullying, becoming an adult (or not), grief, and his own race and class privilege.
I listened to the Vacationland audiobook (available on Overdrive) which is read by Hodgman himself. I usually prefer audiobooks narrated by the author, particularly ones by humorists (another good one is Jessi Klein's You'll Grow Out of It), and as I hoped, Hodgman's dry and self-deprecating humor really shines through in his reading.
My favorite graphic novels tell true stories. I especially like reading graphic memoirs and learning about other people’s lives.
In Duran Duran, Imelda Marcos and Me: a graphic memoir, Lorina Mapa combines the personal and political, weaving together past and present: her father's death, her teen years and her family's experience with the 1986 People Power Revolution in the Philippines. Music had a big influence on teenaged Mapa. She obsessed about many bands and songs, one day playing Duran Duran’s “Tiger Tiger” 27 times in a row, till her brother threatened to throw the tape deck out the window! On a more serious note, most of her family engaged in the campaign to successfully elect Corazon Aquino and remove dictator Ferdinand Marcos from power. The death of her father several years later brought all the memories back; her graphic novel brings them to life for her readers.
Bonus: the last pages include a discography of Mapa’s 1980's music favorites as a teen!
In the US, death is hidden from the public eye. When people are sick or aged, they go to a hospital or nursing home. When people die, their bodies are taken discretely to the morgue, and then to a funeral home. The average American will only see a dead person in the context of a funeral, or if they are witness to some tragedy.
In “Smoke Gets in Your Eyes” Caitlin Doughty pulls back the sheet (pun intended) on the death industry, specifically about her first job at a crematorium, and attending mortuary school. Through her experiences she contemplates how our separation from death has given us knew fears and anxieties, as well as given funeral homes control over our death traditions. She ends stating her intention to changing the funeral industry to allow us to be more directly involved with caring for our dead.
In her follow-up book “From here to eternity: traveling the world to find the good death” Caitlin travels to the world to observe the different rituals around death. She emphasizes that what is considered proper and respectful to the dead in one culture might be off-putting and disturbing to another. For instance, we shy away from open funeral pyres and natural burial, while many cultures would consider the embalming process of the US horrifying. What she believes is important is to be present and involved in the death process, as it is important to our grieving process and to honor the dead.
Learn more about Caitlin Doughty at Ask a Mortician and Order of the Good Death.
Elizabeth Flock knows that the wedding day isn't the final destination in a love story, it's where the journey actually begins. The Heart is a Shifting Sea follows the true love stories of three different couples in modern India who agreed to let Flock peer into their lives. There's Veer and Maya, the modern, professional couple whose union is being tested by Maya's drive for independence, Shahzad and Sabeena, a Muslim couple trying for a child amid religious attacks against their community and social unrest, and Ashok and Parvati, a couple matched for an arranged marriage. Will their marriage of convenience grow into true love?
It's fascinating to watch these couples grow; each day learning more about each other and what it takes to keep their marriage together in a rapidly changing country. It's non-fiction, but it reads like a romance novel, and honestly, what more could you ask of a book?
Here's a nice cookbook with a good dose of history included, or it might be called a history book with recipes. Benjamin Franklin was famous for his interest and expertise in many fields. I didn't know that one of them happened to be cooking. In this book from the Smithsonian, the author describes Franklin's interest in food and the place it had in his life. She goes into lots of detail, such as what the kitchens he designed were like, how much he valued American corn and other local foods, and how he championed healthy eating habits. There are 62 recipes here. Some of them I would never even try to prepare (or eat), like ox-cheek stew, but there are others that don't sound too bad, like lemon ice cream or apple marmalade. All recipes are updated for use with modern appliances and utensils. This hybrid volume represents an excellent effort by Rae Katherine Eighmey, author, food historian, and cook.
For fans of the writer Joan Didion (or those who are curious), who possess access to a Netflix account, be sure to check out Griffin Dunne's poignant documentary portrait Joan Didion: The Center Will Not Hold. The title of the film derives from a reference to Didion’s rephrasing of a line from a Yeats poem (The Second Coming). The reference suggests that much of her work was concerned with both chronicling and seeking to understand collective and individual disorder, appearances, and the fraying of once cohesive social narratives. Her rich, full bodied, observational journalism from the 1960’s and 70’s (Slouching Towards Bethlehem, The White Album) to her novels (Play It As It Lays, A Book of Common Prayer) through to her heart wrenching memoirs The Year of Magical Thinking and Blue Nights, Didion’s body of work remains canonical, must-read literature.
Moto and Me: My year as a Wildcat's Foster Mom is a recent nonfiction children's book written by wildlife photographer Suzi Eszterhas. Sometime ago, she lived out in the African bush in a tent on the Masai Mara wildlife reserve in Kenya. Originally, she had only planned on staying just a few months, but instead fell in love with the area and ended up remaining there for almost three years taking animal photos.
The book starts out describing her close encounters with various wildlife such as hyenas, hippos, and snakes just to name a few. However, her most exciting, enduring and most heartfelt relationship was with a lost and helpless serval kitten who became separated from his mom during a forest fire. Local reserve animal rangers ask Suzi to be the two-week-old serval's foster mom, to teach him how to survive, and when he was old enough , to release him back into the wild.
Suzi names the young serval cat Moto, which means "fire" in Swahili, the language spoken by most people living in the Masai Mara region. She feeds him, bathes and brushes him and presents him with a plush toy named Mr. Ducky. In time, she allows him to venture outdoors to learn to catch his own prey , under her watchful eye.
This informative book boasts many pleasing and amusing photos, as well as very good information on the caring of servals, ( and no, they should never be considered by anyone as potential pets). It especially resonated with me because it carefully links the importance between wildlife rescue and release. It's a winner for anyone in love with all things wild and wild felines in particular.
The country’s initial devotion to religious and intellectual freedom, Andersen argues, has over the centuries morphed into a fierce entitlement to custom-made reality. So your right to believe in angels and your neighbor’s right to believe in U.F.O.s and Rachel Dolezal’s right to believe she is black lead naturally to our president’s right to insist that his crowds were bigger.—New York Times’ Hanna Rosin
According to author Kurt Andersen, America is a nation of grifters and the grifted. His historical survey of America’s credulous embrace of the superstitious and various forms of magical thinking begins with Martin Luther’s break with the Catholic Church and quickly transitions to a scrutinizing inquiry into the extremely bizarre practices of the puritans and pilgrims. They were arguably the Islamic State of the 17th Century when one considers their extremism. He finishes this readable, breezy examination of uncritical, irrational cult thinking, by arguing that America has long had a unique and troubling relationship between fact and fiction, reality vs fantasy—a bond between utter nonsense and the social and legal freedoms to defend that very nonsense. Example after example, from religious hocus pocus to New Age fads marketed as science, Andersen rips apart America’s infatuation with constructed realities. There are uneven, somewhat sloppy areas of argument when Andersen attempts to draw threads of historical continuity that when situated under the microscope, possess reductive claims. He clearly needs to read a bit further about postmodern thinking and its leading thinkers because he does a disservice to the reader when attempting to link them to various cultural and social developments of the 1970’s. However, Andersen’s book will appeal to skeptics who have grown weary of America’s ‘if you can invent and sell it to the masses, well, then it must be true’ bar for reality.