Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
When the film begins the warning label for Getaway with Selena Gomez and Ethan Hawke says Mayhem throughout and indeed there is. Basically Ethan Hawke has to drive Selena Gomez’s armored Shelby GT500 car around town and crash into everything especially police cars. Pretty much there was a crash or explosion every 5 minutes throughout the movie. So who cares what the plot is, cars crash and explosions happened. There is a plot but really it is secondary to crashes, Ethan’s wife is kidnapped and Ethan, an ex race car driver is forced to drive what turns out to be Selena Gomez’s car which is now outfitted with cameras so the bad guy can watch and listen to the occupants. Selena’s dad runs the bank the bad guy is trying to rob. He gets Ethan to cause accidents at strategic points to block traffic and then the bad guy makes his move. You have to let go of logic and just sit back and enjoy but 2 things still bugged me. Ethan is driving an armored car and yet he is scared of bad guys on motor bikes. Just wiggle your car and knock into them, motor bikes are notorious for falling down. The second point was when Selena Gomez “reprograms” the cameras by grabbing one and rotating its lens back and forth and voila it is now a live feed to the police. She is that good. For this movie, turn up your sound especially your bass, turn off your logic and sit back and enjoy.
The new documentary film Room 237 may have only limited appeal but if you love Stanley Kubrick’s movies (Paths of Glory, Full Metal Jacket, The Killing, 2000: A Space Odyssey), especially his adaptation of Stephen King’s novel The Shining, then this is a must-see film. Structured as an introduction to the many provocative theories about The Shining and its meaning, viewers hear (but never shown) several die-hard fans meticulously outline what they think the film is about and what Kubrick was attempting to express. Those interested in Kubrick’s controversial version (Stephen King hated it) conspiracy theories will love the film and the way it depicts both the intellectual limits of critical semiotics and deconstruction as well as the depth of passion and obsession invested in such a project. Was it really a deeply coded criticism of the genocide of the American Indian or could it have been a winking apology for Kubrick’s participation in the faking of the moon landing and c’mon, what’s up with those cans of Calumet baking soda? If anything, the film proves that art and an artist’s intentions can be interpreted in a number of ways, often resulting with comical conclusions but it also serves as a celebration of theory as an intellectual exercise in deepening our capacity to think more dynamically and critically about the power of messaging and the coding of media.
Arguably, one of Canada’s greatest films, Mon Oncle Antoine is a coming of age tale set in rural Quebec. Beautifully shot and with wonderful acting, it's an unsentimental portrait of young people caught up in a confusing and hostile adult world, where youthful innocence is shattered and when growing up means experiencing complex realities. The film is set in the 1940’s as a small mining town prepares for Christmas celebrations. But unlike most holiday films that purposefully avoid seriousness and genuine pathos, Claude Jutra’s film tenderly addresses the subject of adolescent awakenings under the specter of sex and death. This 1971 film was Jutra’s masterpiece and a brilliant film that captures both the goodness in people as well as their human failings. Read a film essay about the film here.
Mon oncle antoine
Usually I am disappointed with Cuba Gooding Jr. movies. Maybe I lowered my expectations or maybe this is a good movie, you watch and decide. The Ticking Clock is about a true crime reporter becoming involved in a murder. When Lewis Hicks (Cuba Gooding Jr.) girlfriend, or maybe better said the woman he is seeing while he is separated from his wife, is murdered. Lewis chases the guy and in a scuffle the murderer drops his journal. When Lewis reads the journal there are entries for more murders to take place in the future. Keech (Neal McDonough) is our murderer and he makes a good one. Lewis is not liked by the police as he has written negative things about them in previous articles so they are not very willing to help him. Everything keeps pointing to a 9 year old boy in an orphanage who is interested in science and time machines. Keech is that grown up boy and is traveling back in time murdering people thinking that he can change things and make his future better. He murders his abusive mother but instead of making things right he is now raised by his aunt and she is worse. Lewis investigates and finds this boy at the orphanage and visits him, takes him to the zoo, is tempted to smother the boy with a pillow and change the future. I think my problem with Cuba Gooding Jr. is his face. He has a face for stern, or mad or thinking and it is the same face. His smiling face is a little different.
A groundbreaking documentary when first released in 1968, this Albert and David Maysles (Grey Gardens, Gimme Shelter) production follows the emotional up’s and down’s of a group of door-to-door salesman who are charged with the peddling of a gold embossed version of the Good Book. Each of these real life Willy Loman’s has a nickname (The Rabbit, The Gipper, The Bull) which adds an element of fictive artifice, but what the Maysles brothers are really after, is to paint a psychological portrait of the inner turmoil these men feel as they grind their way through each pitch, expressing frustration (at both each other and their customers), skepticism toward the future of their profession and in some cases, a celebratory belief in the power of their vocation. Funny, heartbreaking and myth-busting, Salesman is an American classic of cinema verite.
The great movie directors have always shown an interest in exploring the subject of growing up and the themes of adolescent awakening, rites of passage and the sometimes complex depiction of individuals straddling both adulthood and childhood. As many different kinds of filmmakers as there are, so to have these kinds of movies been varied, both in terms of genre, point of view and style. Childhood it would appear from some of the beloved films that have been inspired by the subject, is messy, complicated and rendered as a darn right miserable experience.
Youth’s opposite condition, the aging process and growing old has also been explored with both tenderness and horror. Sometimes depicted with gritty realism, other times with romantic sentimentality, many of these films examine the way that the elderly either flourish by growing open to new and different ideas about what it means to live or in some cases, investigate the many difficulties that the elderly are confronted with. Here is a brief list of some of the great films that tackle the subject of both youth and the elderly with intelligence, artfulness and humanity.
Harry and Tonto
Harold and Maude
Away from Her
On Golden Pond
The Up Series
The Straight Story
Murmur of the Heart
My Life as a Dog
Mon Oncle Antoine
Stand by Me
Kid with a Bike
Spirit of the Beehive
The Ice Storm
Harry and Tonto
Cult film Blast of Silence (1961), which seemingly came out of nowhere in the early nineties after years of existing amidst a fog of cinematic obscurity, is a blast of style, kinetic energy and unsentimental nihilism. It's a low budget but artistically rendered and edited gem of a film that follows the life of an increasingly conflicted, paid hit man trying to get out of the business even as he preps for his next pay day during the holiday season. Frankie ‘Baby Face’ Bono stalks his New York City target with machine-like precision while at the same time becoming emotionally interested in an old friend’s sister. Made on a shoe-string budget, Allen Baron’s taut thriller perfectly encapsulates the look and feel of similar films of that era connected to the independent film movement of the late 50’s and early 1960’s.
Blast of Silence
The less I say about the BBC America thrillerOrphan Black, probably the better. Full of suspense, the show centers around Sarah, a drug-dealing petty criminal who suddenly finds herself in the middle of a mystery when she sees a woman jump in front of a subway train. The thing is, the woman looks like her—and not just a little bit, but exactly like her. Sarah then embarks on a journey to find out who the dead woman is and ends up questioning her own story. The plot is fascinating and always surprising; there are no red herrings here. As details unfold, perspectives change but nothing is thrown in just as a ploy to lead the audience astray (a sign of a good mystery if you ask me). Tatiana Maslany, the star of the show, does an excellent job playing multiple, demanding roles that would not work in the hands of a less talented actress. Orphan Black will definitely make it onto my “best of 2013” list.
The great films from the silent era to today have always addressed the significant, universal themes and truths that lie at the core of human experience. There may be no better film made about the end of life and the instinctive response to look back on one’s dreams, laments, regrets, and accomplishments while standing upon the precipice than Japanese director, Akira Kurosawa’s Ikiru (Bergman’s Wild Strawberries is a close second). More than a somber piece of cinema about an unremarkable everyman’s last days, Ikiru (meaning “to live”) is a life affirming and poetic masterpiece that beautifully portrays our main character’s search for meaning as he learns he has a terminal disease.
Kanji Watanabe, a government employee who nobody seems to know or respect, agonizes over the belief that he has not lived a full life of importance and it’s this doubt that drives him forward to engage his fleeting days with a fierce purpose. For like so many, the presence of the end animates what it means to be alive. Kurosawa uses his immense directorial talents to bring this theme alive in fresh and unique ways. Fans of Kurosawa’s samurai movies may be surprised at the heartbreaking tenderness that he exhibits in this, his most endearing and humane film that explores life’s preciousness through one man’s death.
Sleepwalk with me is about a comedian who has REM disorder disease. Matt is a comedian who is currently working as a bartender and Abby is his girlfriend. They go to his sister’s engagement party and his parents and friends are putting pressure on him to get married. His sister had been seeing her guy for only two and half hears while Matt has been with Abby for eight years His girlfriend is great, can sing, people love her. I think one of the telling lines is when Matt tells his sister everyone thinks Abby is amazing; mom and dad think she is amazing, our friends think she is amazing. I think everyone thinks the best thing about my life is my girlfriend. Matt is not ready for marriage and the pressure causes him to sleepwalk. At his parent’s house during a sleep walking episode he thinks the hamper is a jackal and he is kicking it. Matt gets an agent and she sends him on some comedy gigs. They are scattered about the east coast and involve a lot of driving and time away from home. He becomes exhausted and the sleep walking episodes get worse. His comedy, however, gets better. At one comedy club a veteran comedian talks with him off stage and Matt makes a joke about marriage. The veteran says that’s funny you should use it in your show. Matt’s comedy gets funnier as he jokes with the audience about marriage, making fun of it. One night Abby comes home at 4 am very drunk and starts to pack a suitcase, Matt wants her to stay and agrees to get married in the summer. As we watch Abby plan for the wedding and Matt touring and doing his comedy act we see his sleepwalking progress until finally he thinks a missile is coming at him (signifying the upcoming wedding) and he jumps out of a second story window. This is a deadpan humor type of story; the most humorous parts are his sleepwalking dreams. It’s a real type of story, real issues, real struggles, real relationship problems, with comedy sprinkled in especially in the sleepwalking dreams.
Sleepwalk with Me