I’ve been impressed with Sally Hawkins, ever since I saw her in Happy-Go-Lucky. She plays a much different role as Rita O’Grady in Made in Dagenham, but her performance is equally impressive. In Dagenham, England, O’Grady is a seamstress at the local Ford plant in the 60’s. She and the other women in her bargaining unit vote to strike for equal pay.
The movie illustrates how wearing a strike can be. The strikers persevere for weeks, through exhaustion, wavering determination, personal life crises. Wages are frozen, bills pile up, and the workers must keep showing up to stand up for their cause. Add to it, the women employees face huge pushback from the union bigwigs, Ford management, the male employees, and their own husbands. O’Grady leads the fight, ultimately heading a small group of sister union members to meet with the Employment Secretary of England, to garner support for their struggle.
Made in Dagenham is a fictionalized account of a true event. I loved the soundtrack.
Made in Dagenham
Can you name two other Romneys that have run for President? Of course, there is Mitt's dad George, but what about Hugh Romney who ran for President as a clown named "Nobody" in 1976? You might know him better as the 60’s counterculture icon Wavy Gravy, after whom Ben & Jerry named a very tasty ice cream flavor. When I lived in Berkeley, I always hoped I would catch a glimpse of him. We even tried trick-or-treating at his house, but he was not home. So I was excited to see that the library purchased the new documentary Saint Misbehavin’ about his life so far.
I knew about his Hog Farm Commune, his run for President, and his work with the SEVA Foundation and Camp Winnarainbow; a performing arts summer camp for inner city kids, but the documentary introduced me to so much more. I did not know that he was a Beat poet in the New York scene before heading to California, that he was the one making announcements at Woodstock like, “What we have in mind is breakfast in bed for 400,000,” or that Bob Dylan shared a room with him for a short time and wrote “A Hard Rain Is Gonna Fall” on his typewriter.
If you are a fan of Wavy Gravy or have never heard of him, check out this documentary and catch his infectious commitment to change the world for the better.
The Guard is a dark comedy set in a small town in Ireland. It's also a throwback buddy film where two cops from different backgrounds work together to fight crime while insulting eachother. It has its tender moments but for the most part, The Guard is all about the genre and complying with the dictates of cliche. The great character actor Don Cheadle plays an uptight FBI agent sent to provincial Ireland to bust a drug ring. Along the way, he encounters the eccentric and verbally unfiltered policeman Gerry Boyle, who has his own method of conducting police investigations. The two bristle at one another’s approach, disliking the other’s personality but like all buddy films, they come to find common ground in bringing the bad guys to justice.
Of the films nominated for the best picture award at this year’s Academy Awards, my vote goes to the impressive, sprawling, sublimely beautiful Tree of Life. Terrence Malick is one of my favorite directors and so it comes as no surprise that I’m voting for this ambitious, yet not altogether perfect allegory that mixes the personal with the historical, the metaphysical with the existential with lush, painterly strokes. Tree of Life is more like a romantic painting or an extended tone poem than a linear, Hollywood cliché designed to sell overpriced candy and heart-stopping popcorn and for that reason alone, it will not win.
On a side note, the film's studio has elected not to release this film as a stand-alone DVD in an attempt to boost its Blu-ray sales and to shift consumer buying practices. Unfortunately, libraries are then only able to circulate the extra DVD's that come with the Blu-ray editions.
Tree of Life
If you love movies like I do, you may have been waiting anxiously for the Academy Award nominations that were announced this morning, which is kind of like opening day for Oscar season. And if you’re a hardcore fanatic like I am, you try to see as many of the nominated films as possible before the Big Night. Thanks to the nearby Rave Cinema, which often shows more independent and limited-release films than its in-town competitors, I can often catch many of the nominees in a timely fashion. But for some of the more esoteric films, I often find myself driving to places like Grand Rapids, Lansing or Ann Arbor, as I have already done this season. (Crazy, I know, but I did use the word “fanatic” to describe myself.) For those of you normal folks who’d prefer their cultural horizons to be expanded without breaking their odometer, I thought I would mention all of the year’s Oscar-nominated stuff that you can get right here, right now at KPL.
Four of the Best Picture nominees are available now on Blu-ray and DVD:
The film Hugo had the most Oscar nominations with 11, which included Best Picture, Director (Martin Scorsese), and Adapted Screenplay. As of this writing, it does not yet have a release date for Blu-ray or DVD, but you can read The Invention of Hugo Cabret, Brian Selznick’s Caldecott-winning book upon which it was based. Howard Shore’s score was also nominated and is currently on compact disc.
Other Best Picture nominees not yet available on Blu-ray or DVD but based on books you can read now include Kaui Hart Hemmings’ The Descendants (5 nominations), Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2 nominations), and Michael Morpurgo’s War Horse (6 nominations).
Beyond the Best Picture list, there are plenty of currently available films that received Oscar nominations today:
David Fincher’s adaptation of Stieg Larsson’s mega-popular mystery The Girl with the Dragon Tattoo received five nominations; it’s not yet available on Blu-ray or DVD, but you can read the book, check out the original Swedish version, or listen to Trent Reznor’s score (which was, in my opinion, the Academy’s biggest snub this year).
Tinker, Tailor, Soldier, Spy received nominations for Actor (Gary Oldman), Original Score, and Adapted Screenplay. You can read the novel from spymaster John le Carré, or check out the original British mini-series starring Alec Guinness.
Flight of the Conchords vet Bret McKenzie received a Best Original Song nomination for the amusingly existential “Man or Muppet” track from—what else?—The Muppets. The soundtrack is available now. The only other song nomination came from the soundtrack to the animated film Rio.
So there you have it: an exhaustive list of currently available materials from this year’s crop of Oscar nominations, complete with links to the items themselves. Whether you use it to browse for some ideas, or turn it into a checklist for immediate consumption is up to you. Now if you’ll excuse me, I have some driving to do.
(Psst. If your interested in my personal choices for the ten best films of the year, you can find them here.)
Over the holiday I was able to catch up on some film titles from the past year that I had failed to see during the previous twelve months. In particular, I enjoyed two documentaries, Page One: inside the New York Times and Conan O’Brien Can’t Stop, that were both listed on KPL staff 2011 Best of Lists. While very different in style and content, the films relate in my opinion because the subject of each documentary seem to be, at least at some level, “in” on the project and are using the documentary format to take a position and very effectively tell the audience something about themselves. In the case of Page One, it’s the NYT convincing us that they remain relevant and the authoritative place for news in an ever splintering media landscape, and in the case of Conan O’Brien, which was filmed in the aftermath of O’Brien’s famously contentious split with NBC and Jay Leno, its O’Brien convincing us that he is an incredibly, almost compulsively, driven entertainer. Both films have compelling characters featured prominently, with Page One its NYT media and culture columnist David Carr – who, after watching this film, I think of as the Keith Richards of journalism – and with Conan O’Brien Can’t Stop it has to be O’Brien himself, he is in nearly every frame of the film and working incredibly hard to entertain everyone near him during his every waking second. I’m glad that I had the time to watch both films, and I recommend using KPL staff picks, our Movies and Music pages, and KPL staff in all our locations to help keep your “to watch” lists full of great titles.
Page One: inside the New York Times
A difficult documentary to summarize, Nostalgia for the Light is one of the best nonfiction films I’ve seen in a while. The film is not about one thing in particular but rather synthesizes relatively tangential subjects into a beautiful lament for innocence lost and memories of lost ones. Beautifully crafted, NFTL ties the scientific quest for understanding the origins of our planet with the somber task of mourning and emotional closure for victims of the Chilean military coup in 1973. Highly recommended.
Nostalgia for the Light
Every summer, several of my friends and I travel up north for the annual Traverse City Film Festival. Founded by Michigan native Michael Moore and co-chaired by Hollywood folk like Curb Your Enthusiasm star Jeff Garlin and Borat director Larry Charles, this cinema-stuffed week gives us a chance to soak in all the indie and foreign films, incisive documentaries and beloved classics that our increasingly sore posteriors can handle. (We also find time to relax and simply enjoy the beautiful T.C. area when we’re not staring at the silver screen.) One of our most beloved rituals is getting the whole gang together for a midnight movie of choice; these usually consist of foreign or indie horror films that will never see a wide release in the United States. Several of the ones we have screened have gone on to achieve cult-classic status: brilliant Swedish vampire hit Let the Right One In; Norwegian Nazi-zombie gore-fest Dead Snow; South Korean rampaging-monster movie The Host. In the summer of 2010, we had the opportunity to screen another such instant gem—one that, until recently, had bafflingly avoided a distribution deal: the top-notch horror-comedy Tucker & Dale vs. Evil.
T&DvE is the kind of tongue-in-cheek splatter flick that offers as much joy from satire and humor as it does from excessive carnage. The story follows the two titular hapless hillbillies as they set off for their dilapidated vacation home out in the woods. On their way, they have an unfortunate run-in with a gaggle of snobby college kids who mistake their curiosity for threatening redneck menace. Tensions mount when one of the girls, Allison, has a swimming accident and winds up in the care of a love-struck Dale and an inconvenienced Tucker. The guys try to let the kids know they’ve rescued Allison, but their methods—which include shouting through the woods, “Hey college kids! We’ve got your friend!”—lead the suspicious youth to believe she’s been kidnapped. The college kids mount an assault on Tucker and Dale, but a series of very unfortunate and very bloody accidents (let’s just say bees and chainsaws don’t mix, nor do wood chippers and lunging) result in a body count that only reinforces Tucker’s and Dale’s images as crazed murderous lunatics, while convincing them that the college kids have some sort of suicide pact.
Credit for the success of this film certainly belongs, in part, to first-time feature director and co-writer Eli Craig. But the lead cast for this film cannot be more perfect: 30 Rock’s Katrina Bowden gets to expand her comedy chops as Allison; Dale is played by Tyler Labine, best known for TV’s short-lived Reaper and the recent Rise of the Planet of the Apes. But best of all is Firefly/Serenity MVP Alan Tudyk, a talented movie and TV actor whose comedic timing is unparalleled in Hollywood. He’s simply one of the funniest guys working today.
So if you are in the mood for a great horror-comedy in the tradition of the Evil Dead franchise or Shaun of the Dead, check out Tucker & Dale vs. Evil. And then, maybe, rethink that backwoods camping trip you were planning for next summer, and come spend your late-July inside a movie theater in Traverse City with me.
Tucker & Dale vs. Evil
Rare Exports is not your ordinary Christmas tale and certainly is not for kids. In this movie Santa is the Finland version. Santa PUNISHES bad kids. He whips them with a stick and makes them bleed, he puts them in a pot of boiling water. The movie plot is that Pietari a young lad lives with his father who herds reindeer. Some big giant company is excavating a mountain to free an evil Santa who has been frozen and buried many years ago. On a certain night each year Reindeer run through Pietari's town and his father and most of the village herd them into a giant corral and that's how they make their money for the entire year. I'm not sure how they know which night but they do. Well this time all the reindeer are found slain, hundreds of carcasses strewn about. This is tied to the unearthing of the bad Santa even though he is still frozen. His "elves" steal every heat producing device to thaw him out. The elves are not your typical short cute elf with pointy ears. They are old frumpy naked men who do not speak. You'll have to watch the movie to see how Pietari and the villagers deal with the evil Santa and the lack of their income. Oh and this movie is in their native tongue so there will be subtitles.
Rare Exports a Christmas Tale
The clanging of bells hung around the necks of goats, the elderly herder and his incessantly barking dog, and the soft whistle of an Italian breeze. Great films don’t always need a lot of dialogue and this one is no exception. A poetic and haunting film full of rich and mysterious images, director Michelangelo Frammartino forces the audience to surrender not to the language of a fabricated and plot-driven dialogue but rather to the meditative sounds of our mundane lives, the stirring rhythms of life—birth, death, ritual, and nature are presented as long, visual poems. This film is much better experienced than described so I won’t say much other than to suggest that Le Quattro Volte (The Four Times) is one of the year’s most enigmatic films, once again, reinforcing the idea that a skillful use of economy and delicacy can produce a profound and moving piece of art.
Le Quattro Volte
There have been a slew of Saturday Night Live alumni that haven’t accomplished much of anything after they departed from the long-running late night show. For every Tina Fey or Eddie Murphy, there have been countless cast members whose careers stalled. Fey’s good friend and sometime collaborator Amy Poehler, has had tremendous success with her hit show Parks and Recreation. I just love this show for its bumbling characters and madcap storylines, all of which center around the Parks and Recreation Department in the fictional city of Pawnee, Indiana. Longtime fans of the show The Office will recognize many similarities between the two series, including how the show is formatted, filmed and narrated. Here’s to hoping that the quirky, smart plotlines continue to stay fresh and hilarious.
Parks and Recreation
The newly released film Submarine is a sharply written, sweetly-toned, dark comedy reminiscent of the quirky films of Wes Anderson (see: Rushmore and The Royal Tenenbaum’s) and the lively joie de vivre of the French New Wave. The film doesn’t cover new ground in terms of themes and subject matter, but it sustains your interest and deserves to be seen for the beautifully rendered cinematography (the gray, sunless beauty of the Welsh coast is its own character) and the strong acting performances, especially the work of Sally Hawkins and Noah Taylor as the protagonist’s parents. The movie is an adaptation of the novel by author Joe Dunthorne, who also co-wrote the screenplay.
Oliver Tate is an angst-filled and precocious teen who sits in class, fantasizing about his own death and how his schoolmates will remember him (heroically of course). Cut from a similar cloth as Harold from Harold and Maude and possessive of the qualities of a slightly neurotic, hormonally-driven teenager (see: every coming of age movie over the past fifty years) who speaks with a rapid-fire deadpan, Oliver sets out to address his two biggest concerns as a 15 year-old: saving his parents’ marriage from a new age “mystic” and figuring out his relationship with his firework’s-obsessed, anti-romantic romantic girlfriend Jordana. In between these two goals, Oliver plays movies in his head and listens to the records of French crooners. He constructs mental films of his existential woes (what tormented teen doesn’t?) and not surprisingly, has a Woody Allen photo on his bedroom wall and reads Catcher in the Rye and Nietzsche (because as we all know, most teens are reading The Birth of Tragedy). His problems range from the domestic to the romantic, both conflicts driving him to actions both absurdly funny and achingly real. Some of the best parts of the movie are when Oliver attempts to intervene in his parents’ rocky marriage, spying on them both while conceiving of ways to bring them closer. The soundtrack, written by Alex Turner of the Arctic Monkeys is fantastic as well.
Over the past couple of months, I’ve been compiling my Best of 2011 list, an annual ritual of sorts, comprised of my favorite books, movies and music published throughout the year. But what about all of the great movies and music from years gone by that I’ve recently embraced and enjoyed? Well, here is a list of films that I’ve recently viewed, some of which are well known classics and others that are gems just waiting to be discovered and checked out. Compared to recently released films, they hold up quite well.
All That Heaven Allows: The great director Douglas Sirk’s classic tale of domestic and social conflict between a restless widow (Jane Wyman) and a close minded society that refuses to accept her love for a younger man played by Rock Hudson. The vibrant Technicolor and use of innovative filming techniques makes this seemingly conventional melodrama an influential touchstone for contemporary directors like Todd Haynes (his great movie Far From Heaven is a reworked homage to Sirk’s classic) and Ranier Fassbinder.
A Streetcar Named Desire: A stunning movie when you consider the time period in which it was made. Everything you’ve read about Marlon Brando’s visceral performance is accurate. His explosive screen presence set the stage for younger method actors to take more expressive approaches to acting. What I didn't know was how mesmerizing Vivian Leigh was going to be as the doomed Blanche DuBois.
Night of the Hunter: A perfectly rendered performance by Robert Mitchum as the creepy murderer posing as a preacher (famously adorned with the words hate and love tattooed on his knuckles) makes Night of the Hunter one of the 1950's most influential films. Mitchum’s deranged killer faces off against two children and an ornery grandmother as he tries to secure a large sum of stolen money. The famous ditty sung by Mitchum throughout the film was referenced by the Joel and Ethan Coen in their 2010 film True Grit during the closing credits.
Alice Doesn’t Live Here Anymore: One of the director Martin Scorsese’s lesser known films from the 1970’s but a strong, poignant film nonetheless. Driven by the award-winning, tour de force performance of Ellen Burstyn, Alice tells the story of a young mother in search of a career as a torch singer. Unsuccessful in love and singing, Alice ends up in the American Southwest working as a waitress at Mel’s Diner (later to be spun off as a television sitcom). Kris Kristofferson plays a man who shows an interest in Alice and her son. Will Alice settle down and marry or will she head off to California to strike it big as a singer? Her quirky, talkative son provides the movie’s comedic and lighthearted touches. Cameos by future stars include a very young Jodie Foster and Scorsese regular Harvey Keitel.
The Big Sleep: A lively if often convoluted whodunit, this first adaptation of the Raymond Chandler classic, was a major success at the box offices when it was released in 1946. Starring Hollywood’s hottest couple at the time, Humphrey Bogart and Lauren Bacall, this Phillip Marlowe-centered, detective thriller is one of the few book adaptations that translates well to the big screen in large part to the great chemistry between the two stars and the crackling dialogue, filled with gritty innuendo.
Alice Doesn't Live here Anymore
Produced by Nickelodeon studios – which gave the world SpongeBob and slime – Rango was heavily promoted on Nick’s cable channel (and elsewhere) just prior to its theatrical release last March. Why not? The film is populated by talking animals, its lead character (voiced by Johnny Depp, star of Rango director Gore Verbinski’s Pirates of the Caribbean series) is naively charming and quirky, and, hey, it’s animated! Must be a kids’ flick.
Not so fast. It’s not that kids won’t enjoy Rango – my first-grader did – it’s just that Rango may really be a cult film for adults disguised as a kids’ flick. (Yes, my kid enjoyed it, but didn’t talk about it much past the day we saw it.) While most decent kids’ films in the last decade have plenty of references kids may not get, the entirety of Rango will make the most sense to adults who have grown up with, well, films for grown-ups.
Our hapless title hero, a domesticated lizard who, like Bolt and so many other animated big-screen pets, gets separated from his cushy lifestyle in the film’s opening moments, is thrown into a gritty western scenario more evocative of Anthony Mann than Woody’s Roundup. Townspeople are terrorized by villains who control the town’s water supply (shades of Chinatown), so when the goofy stranger arrives on the scene, they look to him as their last great hope (echoes of High Noon). Nothing here the kids can’t enjoy, but what’s up with that Fear and Loathing in Las Vegas reference?
Rango’s classic western types are thoroughly engaging characters that should have their audience really caring about their fates, whether or not it cares about westerns. That said, familiarity with the western genre should make the film even more enjoyable. If that sounds like your kind of film, then don’t wait for the kids to pick it up from our collection.