Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
I love zombie movies. I don’t care if the acting is bad or the budget is low, if a movie has zombies in it I’ll watch it. Of course I was happy when AMC decided to produce a TV show based on the graphic novel The Walking Dead. The Walking Dead follows police officer Rick Grimes as he struggles to survive in world where society has collapsed due to a mysterious virus that turns people into zombies. The show has a good balance between character development and action. The six-episode season seemed like tease to me—I can’t wait until season two starts in the fall.
If you’re not interested in investing time in a TV show, KPL has plenty of those zombie movies I like so much. My favorite, Shaun of the Dead, is a funny movie made by people who share my love of zombie films. If you’re interested in something a little scarier, there’s always 28 Days Later, Oscar-winning director Danny Boyle’s take on the genre. And if camp and gore is what you want, give Dead Snow a try.
The Walking Dead
Maybe you never heard of these series when they were first produced or maybe they didn’t appear on the surface to be your cup of tea, so you bypassed them altogether. Now, like a fine wine, aged with time, these programs are considered classics which pushed the television industry envelope. Here are a couple of television gems within our collection that you may want to revisit or experience for the first time.
Sports Night: A show written and produced by the award-winning writer Aaron Sorkin shortly before he moved his focus to The West Wing. Sports Night fuses comedy and drama together with a rapid-fire delivery of dialogue, reminiscent of Sorkin’s best work (A Few Good Men, The Social Network, Studio 60 on theSunset Strip). The show struggled to find a balance between humor and more weighty subject matter and thus confused both its network and audiences (the addition of laugh tracks were eliminated by the second season). It lasted a mere two seasons but is thought of as a forward-thinking show that posited inventive ideas about how to mix comedy and drama with the occasional sprinkling of politics.
Freaks and Geeks: Another show that baffled its network at the time of its release in 1999 and yet garnered both critical acclaim and a robust fan base. Set in 1980’s Michigan, Freaks and Geeks, like Sports Night, was adept at suturing madcap narratives and hilarious dialogue to sensitive themes and dramatic depth. The series centered around two high school cliques—the nervous and awkward incoming freshman crowd and the hard-to-reach students comprised of school rebels. The character Bill Haverchuck may be the most layered and multidimensional nerd in the history of television. Judd Apatow, the successful film director and producer was an Executive Producer on Freaks and Geeks and many of its actors have appeared in his other movie projects. The show’s future stars included James Franco, Jason Segel, Busy Philipps, and Seth Rogen.
The Larry Sanders Show: Years before Curb Your Enthusiasm emerged as one of HBO’s most cringe-worthy comedies and years before the overly self-conscious and meta-choreographed rise of reality television and shows like Entourage, there was The Larry Sanders Show—a show about a show. Comedian Gary Shandling plays a neurotic talk show host who rarely has a day off from the various shenanigans that fate has dealt him. Surrounding Larry is a well-rounded cast of celebrities playing themselves, often to hilarious effect as well has his screwball agent (Rip Torn), his Ed McMahon-like sidekick (Jeffrey Tambor) and host of other future stars like Jeremy Piven and Janeane Garofalo.
Freaks and Geeks
This hilarious and ultimately heartwarming documentary tells the story of the people responsible for the "so bad it's good" film Troll 2 and what has happened to them as the low budget horror film they were involved with in 1989 slowly turned into what is affectionately known as “the worst movie ever made” - a cult favorite with maniacal fans and Rocky Horror Picture Show like midnight showing parties. Written and directed by Michael Stephenson – who actually starred in Troll 2 as a child – Best Worst Movie’s main focus is George Hardy, the father in Troll 2, who is now a well loved general dentist living a quiet and happy life in a small Alabama town. The film examines the Troll 2 phenomenon and follows George and many of the other cast members, several who are clearly not as well adjusted as George appears to be, as they hit the Troll 2 circuit, engaging with rabid fans and soaking up the weird fame that they have in this realm. The film is well made, touching, funny, and above all entertaining. Even if you have never seen Troll 2 you will be a fan after viewing this great documentary.
Best Worst Movie
Robert Rodriguez's new move Machete give you lots of explosions, shooting, blood, guts, gore and nifty outfits with a plot and big named actors. Dany Trejo; Steven Segal (as a bad guy), Robert De Niro, Lindsey Lohan and Jesica Alba. I watched this thinking OK let's watch some shooting and some explosions, but I was rewarded by it also having a watchable plot.
The 1970’s were arguably one of the best decades for film making in the United States. Many of the major studios began to allow young directors much greater power and freedom to craft artistic pictures and in doing so, gave birth to the last golden age of American cinema. The seventies saw the emergence of decorated and influential directors and writers like Steven Spielberg (Jaws, Close Encounters of the Third Kind), William Friedkind (The Exorcist), George Lucas (American Graffiti, Star Wars), Martin Scorsese (Taxi Driver, Mean Streets), Francis Ford Coppola (The Godfather Trilogy, The Conversation, Apocalypse Now), Terrence Malick (Badlands, Days of Heaven), Robert Towne (Chinatown), Peter Bogdanovich (Paper Moon, The Last Picture Show), Sydney Pollack (Three Days of the Condor, The Way We Were, All the President’s Men) Sidney Lumet (Dog Day Afternoon, Serpico) and Robert Altman (MASH, McCabe and Mrs. Miller, The Long Goodbye) to name but just a few. Here are just a few of the most interesting films made during this original decade that we currently circulate. Lastly, a great documentary that chronicles this subject, Decade Under the Influence, will soon accompany these other classic films on our shelves.
The Last Picture Show
Harold and Maude (VHS)
Little Big Man
Kramer Vs Kramer (VHS)
Having recently taken over the responsibilities of selecting films for our audiovisual collection, I’m excited to report about some of the new titles that I’ve recently ordered. Some are here in the building and others are on their way. Why these films you ask? Well, these are personal favorites of mine that I would argue with great adoration and zeal that because of their artistic merits warrant their inclusion within our diverse and varied cinema collection. Some are big name classics and others are great films that have either languished in obscurity or have been appreciated only by its ardent fans. Some may have already been part of our collection in years past and now have a second chance at falling into your hands. I hope you enjoy these movie treasures.
- The Loneliness of the Long Distance Runner
- Ghost World
- Carnal Knowledge
- Coming Home
- Hoop Dreams
- Killing Fields
- Lone Star
- Little Big Man
- My Left Foot
- My Private Idaho
- Il Postino
- My Beautiful Laundrette
- The Professional
- Splendor in the Grass
- Silence of the Lambs
I watch more films than the average person, so while the allure of the Lake Michigan shore often takes priority during these warm, sunny months, I've still managed to find some time to view several exceptional films that are worth checking out.
- Mr. Smith Goes to Washington (Classic political satire from Frank Capra)
- La Vie En Rose (French biopic on singer Edith Piaf with an amazing performance from Marion Cotillard)
- Vivra Sa Vie (Classic from the French New Wave master)
- Avatar (Lot's of CGI without much of a plot, at least not an original one)
- Metropolitan (A cult indie classic from influential director Whit Stillman)
The French film director Jean-Luc Godard was arguably the centerpiece of the La Nouvelle Vague (New Wave). This loosely associated group of French directors and critics were heavily indebted to the contributions of the Italian Neorealism movement (Federico Fellini, Vittorio De Sica, Roberto Rossellini e.g.) and came to prominence in the late nineteen fifties and early sixties, seeking to revitalize French cinema with paradigmatic changes to the classical style of Hollywood movies, their plots and aesthetic approaches to narrative and editing techniques. Godard, who continues to work today, created some of world cinema’s most recognizable and influential films; his most important and conventional, produced between 1960 and 1967. For the beginner, I would recommend delving into Godard’s self conscious tales of cinematic referentiality, satiric deconstruction, and counter cultural politics in chronological order: Breathless (1960), Vivre sa vie (1962), Alphaville (1965), Pierrot le fou (1965) and Weekend (1967). A very stylized director who broke with traditional movie-making norms and cinematographical techniques throughout his long career, Godard's influence can be witnessed throughout contemporary movies as well as in the sort of jump-cut editing found in television commercials and MTV videos.
When talking about directors who consistently make provocative, intellectually-inspired films that are commercially successful while not slighting of the audience’s acumen, the conversation must include the films of the Coen brothers (Joel and Ethan). Known for their genre bending, dark comedies, the Coen’s have made some of the most memorable films of the past two decades, including the adapted No Country for Old Men, which won Best Picture in 2007, Fargo (1996), Raising Arizona (1987), Miller’s Crossing (1990), and the cult masterpiece, The Big Lebowski (1998). There have been a couple of missteps along the way (Intolerable Cruelty and The Lady Killers) but for the most part, their unique vision of human destiny embodies a distinctive mixture of gallows humor, richly drawn characters, and absurd circumstances that often pit their protagonist against both the quirks of chance and the poorly conceived decisions of individuals. While I wouldn’t characterize their newest film A Serious Man as one of their best movies, it remains as one of last year’s better films that will likely satisfy the devotee. What do you get when you engage a Coen Brothers film? A little bit of crime fiction, a dash of film noir, a teaspoon of odd ball comedy, a bag of literary and film allusions, topped off with a pinch of both real and implied violence thrown in. Of their 14 full length films, the following selection is arguably their most important.
No Country for Old Men (adapted from a Cormac McCarthy novel)
The Big Lebowski
This is following upon Ann's earlier post about the depth and diversity of our film and television collection. I'd also like to point to the marvelous array of foreign language movies and in particular those that have been released by the Criterion Collection. There is no better way to introduce yourself to the rich body of world cinema then to explore Criterion's growing pool of cult films, many of which have never found a broad audience here in the United States. I'm referring to Larisa Shepitko's heartbreaking The Ascent (Russian), François Truffaut's memorable new wave coming of age story The 400 Blows (French), Hong Kong action hits like John Woo's The Killers (Cantonese), the highly influential masterpiece Rashomon by Akira Kurosawa (Japanese), and Steven Soderbergh's provoking narrative about drug trafficking Traffic (Spanish/English).
Essential art house. Rashomon [videorecording]