The 88th Academy Awards are less than a month away, so if you want to catch up on some of the nominees, the Kalamazoo Public Library can help you out! The following is a list of Oscar-nominated films that are available right now (or very soon) here at KPL:
Summer blockbuster (and, full disclosure, my favorite film of the year) Mad Max: Fury Road received ten nominations for Best Picture, Best Director (George Miller), Cinematography, Film Editing, Costume Design, Visual Effects, Makeup & Hairstyling, Production Design, and Sound Mixing & Editing.
Another popular Best Picture nominee, The Martian, scored a Best Actor nod for Matt Damon, as well as nominations for Best Adapted Screenplay (Drew Goddard), Production Design, Visual Effects, and Sound Mixing & Editing.
Steven Spielberg’s Cold War drama Bridge of Spies was recognized for Best Picture, Best Supporting Actor (Mark Rylance), Best Original Screenplay (Matt Charman, Joel & Ethan Coen), Original Score (Thomas Newman), Production Design, and Sound Mixing.
The riveting thriller Sicario received nominations for Best Original Score (Jóhann Jóhannsson), Best Cinematography, and Best Sound Editing.
Sci-fi thriller Ex Machina received nominations for Best Visual Effects and Best Original Screenplay (Alex Garland).
Three of the Best Animated Feature nominees are currently available: When Marnie Was There, Shaun the Sheep Movie, and Inside Out (which was also nominated for Best Original Screenplay).
Don’t miss must-see Best Documentary Feature nominees The Look of Silence and Amy.
Kenneth Branaugh’s Cinderella received a nomination for Best Costume Design.
The Hunting Ground and Fifty Shades of Grey received Best Original Song nominations.
The cumbersomely-titled The 100 Year-Old Man Who Climbed out the Window and Disappeared was nominated for Best Makeup & Hairstyling.
All-around juggernaut Star Wars: The Force Awakens received five nominations including Best Original Score (John Williams), Best Film Editing, Visual Effects, and Sound Mixing & Editing. The film is not available yet, but John Williams’ Oscar-nominated music is.
The nominees that are not yet available, but are expected within the month are Straight Outta Compton, Spectre, Creed, and Room. You can place a hold on these right now.
So start binging today, and be sure to keep checking our catalog for other Oscar nominated films as more of them become available. For many of the Oscar nominated films that are still in theaters, be sure to check out downtown Kalamazoo’s Alamo Drafthouse Theater, which is currently playing The Revenant (12 nominations), The Big Short (5 nominations), Carol (6 nominations), and the 2016 Oscar nominated shorts, both Live Action and Animated.
The editors of Film Comment Magazine have issued their 20 Best Films of 2015 (established by over 100 polled critics) in their newest issue (January/February). Some of the titles have managed to be released on DVD but most have release dates later on this year.
2. The Assassin
3. Mad Max: Fury Road
4. Clouds of Sils Maria
5. Arabian Nights
9. Inside Out
10. The Look of Silence
11. Hard to Be a God
13. In Jackson Heights
14. Son of Saul
15. Horse Money
19. The Diary of a Teenage Girl
20. Bridge of Spies
It was the decade fraught with world war and its aftermath, the decade that ushered into homes a little box with moving images, the decade that saw the birth of American consumerism, and the decade that gave us cinematic masterpieces like Citizen Kane, Bicycle Thieves, Casablanca, The Third Man, and Double Indemnity. Here are 10 other classic films from the decade worth checking out.
The Philadelphia Story
The Big Sleep
The Best Years of Our Lives
The Treasure of the Sierra Madre
The Maltese Falcon
The Life and Death of Colonel Blimp
Rome Open City
Denis Villenueve is a director who trades in discomfiting ambiguities and psychic dread. His films function to blur and haze, confuse and de-center the viewer’s grasp of truth and intention. Right and wrong and black and white are erased with an opaque bleakness that doesn’t make for light-hearted viewing of his films. His gripping film Prisoners grappled with the moral implications of revenge and torture. His next film, one even more vague and unsettling, was Enemy, an intense, arty take on the theme of doubling. His newest film Sicario contains the disquieting menace that courses throughout his work. With excellent performances given by Emily Blunt, Benicio del Toro and Josh Brolin, Sicario draws the viewer into the muddy border matrices, nihilism and violence of the drug war between Mexican cartels and the U.S. government.
Later this Spring, a documentary filmed called Hitchcock/Truffaut (based upon the seminal book) will once again draw our attention to the brilliant career of arguably the art form’s most important director. Over the last couple of years, his life and career have been the subject of two different films (The Girl and Hitchcock). His 1958 psycho-drama Vertigo was deemed the number one “greatest” film by a collection of critics in 2012, replacing the once immovable Citizen Kane. Often deemed the ‘master of suspense’, Hitchcock’s influence can be seen in the work of filmmakers as different as Brian De Palma, Wes Anderson, Martin Scorsese, and David Fincher. For the uninitiated, give the following classics a try: Pyscho (1960), The Birds (1963), Vertigo (1958), Rear Window (1954), North by Northwest (1959), and The 39 Steps (1935).
Year-end film lists are always difficult to make in a timely fashion for those of us who don’t live in a large city. A sizeable chunk of the movies that compete for awards tend to be released in only a handful of markets late in the year so that they can capitalize on nominations and guild recognitions; most of us won’t have the opportunity to catch them at our local Alamo Drafthouse until January or February. It is with this caveat that I recap my early best-of list, acknowledging that many of the season’s big contenders have yet to be screened, and others have not yet hit DVD.
Mad Max: Fury Road – George Miller’s masterpiece of dystopian demolition is the most exciting, progressive, and visually-stunning blockbuster in recent memory. I’m as surprised as you are.
It Follows – This slow-burn, instant-classic horror film somehow manages to make you both claustrophobic and agoraphobic at the same time.
Inside Out – The folks at Pixar prove their genius once again with this profound exploration of the emotions of a young girl struggling with the challenges of growing up.
Going Clear: Scientology and the Prison of Belief – This eye-opening documentary reveals the dark, tragic truth behind L. Ron Hubbard’s institutional legacy of tax evasion, blackmail, manipulation, and physical & emotional cruelty.
The Hunting Ground – Anyone who has a child in college needs to see this disturbing documentary about the legacy of sexual abuse that takes place on campuses across the country—and the shocking lengths to which universities will go to cover it all up.
What We Do in the Shadows – This hilarious vampire mockumentary from one-half of Flight of the Conchords rivals any of Christopher Guest’s improvised comedies.
Ex-Machina – This dark sci-fi film about artificial intelligence features stellar performances from Oscar Isaac and Alicia Vikander.
Mr. Holmes – Ian McKellen shines as a 93-year-old Sherlock Holmes who’s struggling to solve one final case despite dealing with increased memory loss.
The Look of Silence – This must-see companion piece to the 2013 documentary The Act of Killing explores the Indonesian genocide from the point of view of the victims who still live under the regime that murdered their friends and family.
The Martian – Matt Damon gets left behind on Mars and we’re all the better for it.
Sicario – Emily Blunt is terrific as a tactical expert who gets trapped in the dark, seedy political underbelly of the war on drugs. The film contains some of the most breath-taking scenes of suspense put on screen this year.
99 Homes – Michael Shannon chews the scenery as a real estate operative who evicts people from their homes in this thrilling exploration of the darkest side of the housing crisis.
Other films I enjoyed this year that aren’t available yet include Steve Jobs, Brooklyn, Spotlight, Bridge of Spies, Creed, Room, and a little can-do picture called Star Wars: The Force Awakens. Check them out in theaters or look for them on DVD in the next few months. I’ll be sure to give you a final top ten list right around Oscar time, as that’s when I’ve usually had a chance to see many more contenders.
From the November/December issue of Film Comment comes the magazine’s always provocative “Film Comment’s Trivial Top 20” list, curated by their contributors. What do you think?
1. The Godfather: Part II
2. Dawn of the Dead
3. The Empire Strikes Back
4. Before Sunset
5. The Bride of Frankenstein
6. For a Few Dollars More
7. Toy Story 2
8. Gremlins 2: The New Batch
10. Evil Dead II
11. The Testament of Dr. Mabuse
12. Mad Max 2 aka The Road Warrior
13. A Shot in the Dark
14. Mad Max: Fury Road
15. Terminator 2: Judgment Day
17. From Russia with Love
19. The Lord of the Rings: The Two Towers
20. French Connection II
The 2015 Hungarian film White God is part R-rated fairy tale, part coming of age narrative, part allegory, and part revenge thriller. If this sounds tonally uneven, you’d be spot on in your analysis. These seemingly disparate constituents do by the end, congeal to form an interesting if not imperfect film. Set in a city that has banned mixed dog breeds, a young girl hopelessly searches for her pet after her father abandons the dog along the side of the road. Needless to say, the abused and demonized dogs in this town aren't going to take it sitting down and thus the element of getting even courses throughout. The film on the level of directing and dog training certainly deserves the acclaim it has received given the amazing results without the use of CGI.
I am a fan of good horror, though good horror can be hard to find. If you’re looking to settle down with a top-notch scary movie for Halloween, here are some recommendations for you:
It Follows – Hailed as an instant classic upon its release earlier this year, this unnerving, Detroit-based film centers around a curse that passes from person to person in which a terrifying, body-jumping entity pursues the victim ceaselessly—and you don’t want to be caught by it!
The Babadook – Imagine Tim Burton wanted to use his storybook style to make you soil your pants. That’s what the titular creature in this Australian thriller feels like. Top it off with an unhealthy dose of the parental stress that comes with being a single parent raising a child with severe emotional problems, and you’ve got an intense, teeth-grinding thriller!
Let the Right One In – When an emotionally-abused boy befriends the strange new girl next door, who happens to be a vampire subsisting off blood reaped in a most unseemly manner, the two socially isolated creatures form a relationship that leads to both brutal vengeance and unnerving consequences.
28 Days Later/28 Weeks Later – Oscar-winning director Danny Boyle kicked the (then un-played out) zombie genre into high gear by making his rage virus-infected undead fast! Both the original and the sequel provided plenty of both scares and social commentary.
The Cabin in the Woods – This horror-comedy is at once an homage to popular genre tropes throughout the ages, and a gory, twisty, laugh-out-loud thriller in and of itself. From producer, co-writer, and all-around geek guru Joss Whedon, this is one scary Cabin you want to visit!
Tucker & Dale vs. Evil – A couple of bumbling rednecks attempt to have relaxing vacation at a cabin out in the woods, but are mistaken for murderous lunatics by a gang of college kids who keep dying off through gory-yet-hilarious accidents.
Coming soon, our staff curated best-of round up will be posted for library users but in the meantime, here is one of my favorite movies released in 2015 that will make my list.
Ex Machina is one of this year’s best films. Led by strong performances by actors Oscar Isaac and Alicia Vikander, director/writer Alex Garland’s debut doesn’t attempt to reinvent the clever, ideas-filled sci-fi movie that many have described it as being but it definitely doesn’t shy away from immersing the viewer in an original and intense examination of philosophical, scientific and moral investigations that feel both pertinent and cinematically fresh. Surely, it is a work that explores what so many science fiction films before it have tried to grapple with, the question of what makes us human in an age where artificial intelligence not only exists in the conceptual realm but in the everyday as well. What drives Ex Machina to stand out as a great film are the subtleties that the actors and the director bring to the weighty subject matter that should result in some abundant, late night conversations about the film’s themes, ambiguities and symbolism.