Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
This is heart wrenching film from Swedish director Jan Troell focuses on one woman’s tumultuous life as a psychologically and physically abused wife and mother who momentarily escapes her domestic torment by picking up a camera—an instrument of creativity and documentation that she uses as a means for both personal expression and as a gateway to escape her unforgiving life. Shot with exquisite cinematography, Everlasting Moments takes the viewer on an anguished ride through the minefield of Maria Larsson’s troubled life—one defined by her amazing strength and fortitude in the face of heartbreak and disappointment. As bleak as her prospects are, Maria (brilliantly portrayed by Maria Heiskanen) discovers that there are moments, sublime in their ephemerality, when she and her alcoholic husband face the obstacles of war, poverty and hunger together and tenderly. Troell has masterly rendered a humane portrait of a family struggling to survive in pre-WWI Sweden, with the centerpiece constituted by Maria’s endless capacity for grace, forgiveness and persistence.
Reader’s Advisory is a term that librarians use to describe the act of linking similar titles together so that readers are exposed to authors and titles that possess comparable thematic or stylistic qualities. This is the first installment of a film version of that kind of process of suggestion. It’s not scientifically based and so absorb these lists with a grain of salt.
• Liked Goodfellas, try Miller’s Crossing
• Liked Charulata, try Everlasting Moments
• Liked The Truman Show, try Real Life
• Liked Drive, try Taxi Driver
• Liked Eternal Sunshine of the Spotless Mind, try Petulia
• Liked Last Year at Marienbad, try Memento
• Liked The Ice Storm, try Ordinary People
• Liked Groundhog Day, try Being There
• Liked Take Shelter, try Repulsion
• Liked Il Postino, try Amelie
• Liked E.T, try Super 8
• Liked Doubt, try The Silence
• Liked Mad Men (series), try The Hour (series)
• Liked Paper Moon, try The Last Picture Show
• Liked Harold and Maude, try Delicacy
• Liked Tinker Tailor, Soldier Spy, try The Spy Who Came in from the Cold
• Liked Goon, try Slapshot
• Liked Harry and Tonto, try Alice Doesn’t Live Here Anymore
• Liked The Newsroom (series), try Sports Night (series)
• Liked Platoon, try The Thin Red Line
• Liked Leaving Las Vegas, try Taste of Cherry
• Liked Dead Man Walking, try Into the Abyss: a tale of death, a tale of life
• Liked There Will Be Blood, try Citizen Kane
• The Bridge Over River Kwai, try Force 10 from Navarone
• Liked Blue Valentine, try A Woman Under the Influence
Force 10 from Navarone
If you're anything like me, this weather has you daydreaming about sunny days and summer vacation--making it the perfect time to watch summer-themed movies while wrapped up in a warm blanket on the couch. One of my favorite summer movies, The Sandlot, a coming-of-age story about a group of neighborhood kids who spend the summer of '62 playing baseball, always makes me think of a time when summer vacation felt like FOREVER. We don't have The Sandlot in our collection (it is available to resident borrowers through MeLCat) but we do have another summertime movie that gives me that same sense of nostalgia: Stand by Me. Though a bit darker than The Sandlot, this Stephen King classic definitely evokes a summery mood and would be a perfect fix for those winter doldrums.
Here are a few other summery suggestions:
Wet Hot American Summer
Stand By Me
Last month marked the 80th anniversary of the repeal of Prohibition, so if you're going to be stuck inside during these cold and snowy days, you may as well cozy up with a hot toddy and watch Ken Burns' documentary series describing the passage, enforcement, and repeal of Prohibition in the United States. When I watched the series last month I wasn't sure how much I'd learn, since this era was covered in my American history classes and has been heavily mined by pop culture, but I found all five-and-a-half hours engaging. I especially enjoyed the first episode, which outlines the factors leading to the passage of the 18th Amendment, including immigration and the introduction of the federal income tax.
The library has several copies of the DVD, but it's also available to check out anytime with Hoopla, the library's source for instant streaming videos, music, and audiobooks.
If you're interested in fictional depictions of Prohibition, check out the Coen Brothers' Miller's Crossing, the television series Boardwalk Empire, or Woody Allen's comedic take Bullets Over Broadway.
Le Havre is a wonderful film that I missed seeing when it first showed at WMU’s Little Theater several years ago. Named for a provincial city on the northern, French coast, the film is one of Finnish director Aki Kaurismäki’s most warmhearted and charming. Known for his less is more approach to film making, his works tend to give birth to zany, working class characters whose expressions of both joy and futility come off as droll and darkly peculiar (fans of Wes Anderson and Jim Jarmusch will appreciate the brand of humor). Le Havre is a simple story: an elderly shoe shiner stumbles into a plot to hide a young, African boy from the authorities who seek his deportation. Ex “bohemian” Marcel Marx has a difficult enough time as it is in dealing with his critically ill wife. His newest project, one that he had not expected, is to safeguard with the help of his fellow townspeople, a young refuge named Idrissa, who is seeking to travel to London. With the authorities hot on his trail, Marcel keeps ahead of the fuzz with just enough assistance from Le Havre’s band of bartenders, rock musicians, and an unlikely detective. It’s a beautiful fantasy as much as it is a political fable about community and humanity.
As a new parent, my interest in stories of kidnapping and child abduction has suspiciously dwindled, and yet the stellar reviews for Denis Villeneuve’s recent film Prisoners compelled me to watch it. In it, Hugh Jackman plays Keller Dover, a survivalist father whose daughter goes missing along with her best friend. A suspicious camper is seen in the nearby area, and when the police attempt to question the driver, he behaves erratically and tries to flee. The suspect, Alex Jones (Paul Dano), is arrested, questioned, and his camper and home are combed over by a forensic crew. No evidence is discovered, and the police deem Jones to be mentally incapable of taking the children without a leaving a trace, so he is released. This incenses Dover, who believes the children are still out there, waiting to be rescued. When it’s clear that the lead detective, played by Jake Gyllenhaal, has moved on to other leads, Dover decides to take the matter into his own hands. He kidnaps Jones, holes him up in an abandoned building, and proceeds to torture the suspect in hopes that it will lead to the whereabouts of the girls.
Despite the bleak premise, Prisoners ends up sticking with you for all the right reasons. The film dares you to question how far you would go to rescue your own endangered child. At once you want Dover to push through the barriers created by a plodding police investigation, yet his vigilantism clearly veers out of control. We’ve seen Jones behave villainously, but by the time Dover has beaten him to an unrecognizable pulp, it’s hard not to feel reluctant sympathy. On top of this, Villeneuve does a great job getting the viewer to wonder whether or not Jones is guilty; in one great sequence, Dover believes he hears Jones say something incriminating under his breath that no one else around them catches, and smartly, the audio is too muffled to allow the audience to hear it either.
Prisoners succeeds in no small part because of its actors: Hugh Jackman gives a performance that in less-crowded years might have been considered for a Best Actor Academy Award nomination; Paul Dano is reliably creepy; Melissa Leo continues her streak of stellar turns; and Jake Gyllenhall brings the right level of world-weariness to the lead detective who seems to be hindered by an overwhelming bleakness that has beaten him down over the years.
When I first saw a preview for Prisoners I was put off by what seemed to be a very by-the-numbers revenge mystery. Thankfully, the film turned out to be so much more, and as I settle into this pre-Oscars period of assembling my favorite films of the past year, it’s looking more and more like this movie I cannot shake is going to make my top ten.
I’ve been trying to distract myself from the extreme winter weather of late by checking out some of our documentaries on surfing (White Wash, Riding Giants). Maybe it’s the beautiful landscape of the Hawaiian coast or the vibrant blue of the ocean wafting above the earth’s surface that appeals to me as we grind through a cold, grey winter.
Surfwise is an excellent documentary film that will appeal to anyone interested in exploring the question: What is a meaningful life and what does it look like in practice? Surfwise is the portrait of a man (Dorian Doc Paskowitz) with a vision of the world that found it’s life-long manifestation in the rejection of social conventions and modern values. It’s also a film about family dynamics and the conflict between one man’s inflexible idealism and the resentment and problems it later produced for his nine children.
The Criterion Collection has a wonderful page on their website that catalogs the 10 favorite Criterion releases from a wide assortment of actors, musicians, directors, writers and other arty types. I always find these selections a good place to start my search for the unseen and unknown. If I were asked to list my ten favorite films from their collection, I’d start with the following:
1. Harold and Maude
2. Hiroshima Mon Amour
3. Au Hasard Balthazar
4. The 400 Blows
5. The Royal Tenenbaums
7. The Passion of Joan of Arc
8. Late Spring
9. Pierrot Le Fou
10. In the Mood for Love
Any sort of discussion of historically significant directors must include the work of the great Satyajit Ray. Ray’s visually brilliant and emotionally moving Charulata (1964) tackles the subject of desire; specifically that of a lonely and bored housewife imprisoned by limited social expectations and later on by romantic feelings for her husband’s cousin. Her newspaper-running husband’s responses to her veiled longing and artistic aspirations come off as glib or paternalistic. It’s only when his wayward, free spirited, poetry-composing cousin arrives to live at their home that Charulata begins to self-actualize and to allow her creative passion for writing to become more pronounced and acknowledged. Ray’s talent was in mixing the styles and tone of European and American films with the local, cultural nuances of Indian society. Always sensitive to develop multifaceted characters that are easy to sympathize with, Ray’s films feel like visual diaries of emotionally repressed or socially oppressed persons struggling to reconcile the old with the new, the traditional with the modern. The quality of acting is also top notch.
Friendship as a documentary subject is a rare thing and with this affecting and poignant account of the long-term bond between Pulitzer Prize-winning author/actor Sam Shepard and Johnny Dark, viewers may feel as though they are listening in on a personal conversation between two old mates. Fused by both affinity and family, these two friends, entangled within the complicated web of history, not to mention their very different views on life and living, join together to work on an University project regarding their correspondence and ephemera that may result in a book deal. Full of tenderness, humor and sadness, these two old compatriots open up and bare their lifetime of memories, laments and affection for one another before the camera’s eye, offering up fascinating insights about both the limits of male closeness and its lasting durability.
Shepard & Dark