Staff Picks: Movies
Staff-recommended viewing from the KPL catalog.
I first saw Annie Hall in 1977 when it first came out in theaters. I was on a date with my now wife, who was living in Basel Switzerland at the time. The movie audio was in German and I had to read the English subtitles. I thought maybe that attributed to my not understanding or not generally getting this movie. Annie Hall won the 1977 Academy Award for Best Picture and was a turning point for Woody Allen. So when KPL got this movie in on DVD I thought I would view it again. The movie is about Alvy Singer (Woody Allen) and his relationship with Annie Hall (hence the title of the movie) (Diane Keaton). It delves into Alvy and Annie’s thoughts, feelings, dealings with life or in Alvy’s case his fascination with death. Alvy is Jewish and lives in New York city and is a comedian twice divorced. Annie is undeveloped. Through her relationship with Alvy she grows, goes to community college, reads, sees a therapist and sings on stage. In typical Woody Allen style throughout the movie we see flash backs to other relationships, we see present day Alvy in past day parent’s house under the roller coaster. The part I like is when in the middle of a scene he starts a narration with us the viewer through the camera or he does a scene in a scene. For example while in line to see a movie the guy behind him complains about a director, Alvy does not want to hear this and thinks the man does not know what he is talking about. Then Alvy talks to the camera telling us that the man does not know what he is talking about, the man steps into the camera and tells us he teaches film at Columbia. Alvy then pulls the actual Director out from behind a screen and has him argue with the man. Then Alvy comes back to talking to us through the camera and says don’t you wish life was like this. Annie Hall is deemed a classic, I think I got more out of it this time around, mostly because there now is an internet and I read up on all the reasons this is supposed to be a good movie. If I had only just watched it again I think I would still leave shaking my heard. Only this time I would not be out some major dollars (actually they were Swiss Francs, this was way before the Euro). Getting the DVD for free from KPL is a good deal. BTW after the movie we got a drink at the plaza and they had orange plastic giraffes in them as stirring sticks. I still have the plastic giraffe and I still have the date (now wife) and I still do not understand Annie Hall.
Edward Shackleton’s failed expedition to the South Pole in 1914 produced the greatest rescue/survival mission ever recorded. Chasing Shackleton is a PBS documentary that follows six modern day adventurers as they attempt to replicate the astounding feats of bravery, ingenuity and physical endurance that Shackleton and his crew members used in their attempt to sail the most dangerous ocean waters on the globe and traverse an unmapped mountain to save their fellow crewman. Led by an audacious leader in Tim Jarvis and clad in the wool clothes of the early 20th century, these six intrepid explorers set out in a tiny sail boat from an island near the South Pole to test their grit and know-how while tackling the enormous obstacles which a hundred years before, lay in the path of Shackleton’s redemption. Pushed to the point of death, will these men survive these harrowing environmental conditions in order to match their predecessor’s glory?
When it was released in 1960 to universal acclaim, visionary maverick Jean-Luc Godard’s Breathless broke all the rules of conventional moviemaking. As posited by The Criterion Collection site, "there is a before Breathless, and an after Breathless” along the timeline of film history. The film’s radical break with tradition promptly posed new questions about what a movie could look like, sound like, mean, and most importantly, what a film could be. Even today, the film that kicked off the French New Wave retains a freshness and vitality that are striking and discomforting to those new to its anarchic, free-jazz sensibilities and inventive modes of representation. Godard’s reinvented salute to the American gangster genre mixes together into a highly original work of art with countless allusions to previous movies, references to literary texts, celebratory homages to American directors, and stylistic devices such as his famed jump cuts and an enthusiastic embrace of natural lighting and sound that in 1960, deviated from mainstream studio practices. It’s a film that is winking at the audience from the eye of its director and yet even as we push aside it’s question posing and deeply philosophical implications, it also functions as a terribly entertaining movie. Not only is the film considered one of the most influential, it subsequently launched the career of French leading man Jean-Paul Belmondo, who went on to work with Godard on A Woman Is a Woman and Pierrot le Fou. The Criterion Collection has just recently re-released Breathless on Blu-Ray and DVD with a wonderful array of supplents to go along with the feature.
The Danish political drama Borgen has been favorably compared to the American hit show House of Cards. While it resists the kind of farcical plotlines and hyper-cynicism of the Netflix-produced show, there features more than enough intrigue and Machiavelian maneuvering for political power to keep the storylines interesting and germane. Some critics have also alluded to The West Wing’s influence but Borgen resists the kind of naïve portrait of contemporary politics as a romantic idyll or a noble vocation. Borgen’s female protagonist is both a savvy political player engaged in political jousting and a committed wife and mother which suggests that there will be plenty of personal and political sacrifice to go around when the mud begins to fly. This is bingeworthy television, Scandinavian style.
The Easter Bunny is Australian and Santa Clause is Russian. Rise of the Guardians is an animated movie where the boggy man is trying to take over the dreams of children and make them forget the Easter Bunny, Santa Clause, the tooth fairy etc. Jack Frost is coaxed to join the Guardians and help fight off Pitch (the Boogeyman). I found this to be a delightful film. I liked that the Easter Bunny, played by Hugh Jackman, was Australian. This was not a scary movie but it is rated PG. Give it a try. This and many others movies are available at KPL.
Rise of the Guardians
In case you needed one last, post-Oscars list to use for upcoming checkout's. According to a survey of the editors and contributors of Film Comment magazine, these are the Top 20 films of 2013. Some have been released on DVD and others have yet to hit the shelves.
- Inside Llewyn Davis
- 12 Years a Slave
- Before Midnight
- The Act of Killing
- A Touch of Sin
- Computer Chess
- Frances Ha
- Upstream Color
- Museum Hours
- Blue Is the Warmest Color
- Spring Breakers
- Like Someone in Love
- Stories We Tell
- American Hustle
- The Grandmaster
Liked That, Try This is an ongoing series of posts that attempts to help movie audiences find a title that is similar to films they’ve enjoyed in the past or that has some historical, stylistic or thematic connection. Today’s installment focuses on television series.
Liked The West Wing, try Borgen
Liked Shameless, try United States of Tara
Liked Twin Peaks, try Top of the Lake
Liked The Wire, try Homicide: Life on the Street
Liked How I Met Your Mother, try Community
Liked Freaks and Geeks, try Undeclared
Liked Parenthood, try Six Feet Under
Liked Downton Abbey, try Call the Midwife
While there’s wisdom in that adage advising us to avoid judging books by their covers, when it comes to movies, I don't feel the least bit superficial when I admit that I’m swayed by an attractive cover- even if only a mildly interesting synopsis is on the back. When I recently saw the cover for Reaching for the Moon- sunshine, blue skies and a radiant, happy couple on a beach- I hurriedly borrowed it, learning only after that it is a drama depicting the real life love affair between renowned poet Elizabeth Bishop and Brazilian architect Lota de Macedo Soareswas.
While the film takes artistic liberties with actual events, its depiction of the romantic relationship between these two complex women is done in a way that feels as honest and real as a fictionalized account can, and, thankfully, is light on sentimentality; while Reaching for the Moon tells the story of women who are lovers, it is not a romance and its focus isn't only on their love. The lives of these talented, accomplished women, the places and times they navigate, their lifestyles, their complicated relationship and the poetry it all inspired are tastefully explored and make for a remarkable film, one far more interesting and and better told than many. I expect to be recommending it for quite some time.
Reaching for the Moon
What happens when one of the staff persons charged with helping young people overcome trauma, neglect and abuse at an at-risk juvenile home is quietly suffering from her own painful past? This is the question at the center of this wonderful, little film propelled by strong acting performances and a deft touch at balancing grim subject matter with moments of levity and humor. Grace, played by a fantastic Brie Larson, and her devoted boyfriend Mason work together to help kids manage their feelings and cope with the cards they’ve been dealt. But her strength of character and compassionate heart alone are of little use when it comes to facing her own feelings of fear, anxiety and anger. Short Term 12 proves again that a film’s success is in no way related to the number of celebrity actors, use of CGI or amount of super hero characters. Sometimes, going small produces large rewards.
Short Term 12
Often cited as one of the most influential, low-budget films that contributed to the emergence of the American Independent Film Movement of the 1980’s, Paris, Texas is an inspired evocation of the personal journey of a tortured soul (Harry Dean Stanton) progressing toward forgiveness and redemption. Set in Texas and Los Angeles, German director Wim Wenders paints a moving and poignant picture of an emotionally troubled man seeking to make sense out of his fractured, tumultuous past and in the process, repair some of the damage he’s inflicted upon those he loves. Pitch perfect as a kind of neo-Western, road-film, from the casting down to the spare beauty of Sam Shepard’s writing, Wenders unpacks the story of Travis and Jane to reveal the power of guilt, regret and selflessness.