The Japanese film Still Walking is a beautiful portrait of a strained but loving family whose complicated history unfolds over a single day under the specter of death and grief. While this may turn away those who seek out escapist fare in their movie-watching experience, the film avoids the trappings of being too grim. With its un-rushed lyricism and thoughtful pacing, the wonderful dialogue unpacks our characters’ anger, regret and nostalgic yearning for what could have been and what never will be. The film never feels preachy or heavy handed. It simply explores how each family member deals with loss and conflict, often through aloof and insensitive ways that only deepen long-standing wounds. Catharsis is depicted as problematic, messy and much more difficult to bring about than any self-help manual would suggest. The message here is that Hollywood endings have no place in the real world and that’s what you’re going to get with this highly personal work from Japanese director Hirokazu Kore-eda. Set in a hilly, coastal town, the Yokoyama family meets each year to remember their son and brother who died in a drowning accident some 15 years before. It’s an opportunity to eat (and eat they do), catch up on gossip, visit the grave and introduce the parents to new family members. Fathers and sons will spar over legacies, husbands and wives will recall past infidelities, and a young boy will begin to understand his own heartache within a broader context. Fans of films like Tokyo Story and Yi Yi will enjoy Still Walking’s intelligent slice of life approach to exploring the dynamics of family drama.
Autumn Sonata (1978) is a masterful portrait of the kind of personal conflict embedded within family relationships fraught with regret, shame and disappointment. The great actress Ingrid Bergman (who only worked with Ingmar Bergman once) puts in a fantastic performance as the aging classical pianist who tries to reconnect with her two adult daughters, both of whom she has emotionally neglected over the years in pursuit of her career. Racked with guilt, Bergman clumsily attempts to express her deep feelings of regret and love for her eldest daughter (played by the great Liv Ullman) over the course of a long awaited visit. A brilliant a depiction of the corrosive discord between a parent and child, Autumn Sonata’s evocative power revealed that Bergman was still a master at the melodrama by excavating both he and Ingrid’s personal challenges with mediating family, love, art and career.
There’s just not enough time to compose a lengthy review of some of the great and not-so great feature films, television series and documentaries that I’ve caught over the past month, so instead, I’m handing out a grade and an abridged appraisal.
Bastards—A grim, pointless waste of time from French Director Claire Denis (C-)
Hateship Loveship—Continued proof that former SNL star comedian Kristin Wiig should keep looking for dramatic roles (B)
Orphan Black—Yes, lead actress Tatiana Maslany was robbed of an Emmy nomination for her multiple roles in this great BBC-produced show about clones (A)
Requiem for the Big East—For college basketball fans who grew up in the 1980’s and recall watching these legendary teams, this ESPN documentary will rouse a healthy dose of nostalgia (B+)
The Bridge—in keeping with the very trendy, neo-noir subject of serial killing and the relationship between detectives charged with solving the mysteries (see: True Detective), this cross-border drama explores the messy dialectics of national politics, the consequences of drug/human trafficking and the tension between rich and poor (B+)
Captain Phillips—nothing here was particularly new, assuming you followed the story when it originally unfolded, but it still remains a dramatically compelling, well-paced action film that will jump-start your adrenalin (A-)
Top Hat & Tales: Harold Ross and the Making of the New Yorker—a satisfactory if not condensed portrait of an eccentric visionary and his creative collaborators who developed a unique and lasting publication (B)
Palo Alto—a drained, vacuous sketch of the psychic ennui of rich, white teens whose lives gravitate around sex, drugs, video games and pathetic, exploitative adults (D)
An unreliable narrator is a narrator, whether in literature, film, or theater, whose trustworthiness has been seriously questioned. Film audiences should be wary of gleaning truths from the narrator’s account of the movie's unfolding and plot details. Here are some films that have employed the unreliable narrator approach to storytelling to great effect.
Last Year at Marienbad
The Usual Suspects
The Great Gatsby
Before falling into obscurity, the slice of life documentary Cousin Jules was well-received by critics in the early 1970's. Restored and released again, this wonderful film takes viewers into a world that to contemporary eyes appears primitive and exotic in view of our high-speed, high- tech, consumer society. Back in the 1960’s, those who lived off of the land in provincial France led slow, ordinary lives connected to the earth and to long-established practices. They made their own tools, harvested their own food and wine, ground their own coffee without electricity, accessed water from a well, and in general, lived off the land with a kind of raw independence and austerity that is almost unheard of in today’s postmodern society, one defined by ease, speed and consumerism. The film features Jules, a blacksmith who is short on conversation but whose mundane tasks are mesmerizing as they are without pretense or excess. The viewer is taken inside the routine rituals of everyday life, slowly, tenderly and without artifice or without a structured plot and yet the film feels fresh, a kind of poetic meditation on the nobility of craftsmanship and the humdrum ways of life that have been largely automated.
Last year, the Danish film The Hunt was nominated for an Academy Award in the Best Foreign Language Film category. It's the story of the social and individual price of a child's lie. Good natured Lucas works at the local elementary school, beloved by the school children and adored by his hunting buddies, Lucas finds himself at the center of a police probe after his best friend's daughter claims that Lucas abused her. As the town rallies behind the girl's claim, Lucas finds himself socially disconnected from the small town and the target of violence. The film tackles the subject of mob mentality and how quickly a faleshood can function to demonize an innocent person. Driven by a strong performance by the lead actor, The Hunt is an excellent film worth checking out.
Throughout the history of cinema, many filmmakers have attempted to examine the nature of identity and the notion of the ‘self’ but few have made a film as visually rich and haunting as director Ingmar Bergman’s masterful Persona—a tour de force of a movie that when released in 1966 expanded the poetry of film and solidified Bergman as one of the great artists of the medium. For some critics, the film has been viewed as a hypnotic culmination of many of his themes and obsessions. For others, Persona was a confusing, unintelligible and pretentious mess. Time has been very friendly to this influential precursor to films like Mulholland Drive, 3 Women, Black Swan, Fight Club and other psychodramas that portray identity and self as an unfixed, transferable construct that modulates between states of being rather than as a permanent characteristic of the human psyche. This classic is now on Blu-ray as well as DVD.
70 years ago today, one of World War II's most significant battles was D-Day, the day in which thousands of Allied soldiers crossed the English Channel to invade German occupied France. There's certainly no shortage of informational resources on this topic but if you're a WWII buff or simply want to know more about this imporant day in the fight against Nazi Germany, check out The War by Americana documentarian Ken Burns. This is my favorite work of Burns and his most emotionally dramatic. Soldiers who were there, storming the beaches of Normandy, recount with unfiltered descriptions, the horrors, heroism, and blunders that they experienced on that fateful day and in doing so, provide an unromanticized version of their sacrifice. It's Burn's most stirring documentary and one that is required viewing for those interested in World War II. For those who want their history fictionalized, KPL owns many feature films set during wartime, including Saving Private Ryan, Life Is Beautiful, Schindler's List, The Big Red One, Force 10 from Navarone, The Thin Red Line, The English Patient, The Winds of War, In Darkness, Ivan's Childhood, The Cranes are Flying, and Flags of Our Fathers.
This year’s Cannes Film Festival winners included Winter Sleep (Best Film), Bennett Miller (Best Director), Julianne Moore (Best Actress) and Timothy Spall (Best Actor). Here’s a look back at some of the films that have previously been awarded the prestigious Palme d’or.
Taste of Cherry—1997
The White Ribbon—2009