Director Christopher Nolan's 2006 film, the head spinning (and very underrated) The Prestige, is comprised of one twist and turn after another. It's both a fun and cerebral film that doesn't compromise its creative integrity for cheap, Hollywood cliches. In fact, there are plenty of philosophical subjects and meta-cinematic ideas that Nolan subtly weaves throughout the knotty plot that features two magicians battling for illusionist supremacy around 1900. Actors Christian Bale and Hugh Jackman are turn of the century showman who trade in secrecy and misdirection and so when their competitive relationship turns violently hostile after the death of Jackman's wife, the increasingly ratcheted up tit for tat can only lead toward tragedy, obsession and betrayal.
Although, the new movie The Man from U.N.C.L.E. is pretty good, the
best part about it was the music. NinaSimone was an interesting choice for music. I haven’t thought much about her in quite a while,
but the movie and music brought back memories.
I never fully understood
the significance of the Man from
U.N.C.L.E. series in the 60s. I didn’t associate the show with the Cold War or realize what a
compromise it was for an American to partner with a Russian. I get it now. The movie
is not fairing so well. Its getting its share of rotten tomatoes but the Man from U.N.C.L.E. is still fun. The
music makes it for me. KPL has lots of NinaSimone CDs. So watch the movie and if you enjoy the music you’ll know where to find more of it.
Later this Spring, a documentary filmed called Hitchcock/Truffaut (based upon the seminal book) will once again draw our attention to the brilliant career of arguably the art form’s most important director. Over the last couple of years, his life and career have been the subject of two different films (The Girl and Hitchcock). His 1958 psycho-drama Vertigo was deemed the number one “greatest” film by a collection of critics in 2012, replacing the once immovable Citizen Kane. Often deemed the ‘master of suspense’, Hitchcock’s influence can be seen in the work of filmmakers as different as Brian De Palma, Wes Anderson, Martin Scorsese, and David Fincher. For the uninitiated, give the following classics a try: Pyscho (1960), The Birds (1963), Vertigo (1958), Rear Window (1954), North by Northwest (1959), and The 39 Steps (1935).
Year-end film lists are always difficult to make in a timely fashion for those of us who don’t live in a large city. A sizeable chunk of the movies that compete for awards tend to be released in only a handful of markets late in the year so that they can capitalize on nominations and guild recognitions; most of us won’t have the opportunity to catch them at our local Alamo Drafthouse until January or February. It is with this caveat that I recap my early best-of list, acknowledging that many of the season’s big contenders have yet to be screened, and others have not yet hit DVD.
Mad Max: Fury Road – George Miller’s masterpiece of dystopian demolition is the most exciting, progressive, and visually-stunning blockbuster in recent memory. I’m as surprised as you are.
It Follows – This slow-burn, instant-classic horror film somehow manages to make you both claustrophobic and agoraphobic at the same time.
Inside Out – The folks at Pixar prove their genius once again with this profound exploration of the emotions of a young girl struggling with the challenges of growing up.
Going Clear: Scientology and the Prison of Belief – This eye-opening documentary reveals the dark, tragic truth behind L. Ron Hubbard’s institutional legacy of tax evasion, blackmail, manipulation, and physical & emotional cruelty.
The Hunting Ground – Anyone who has a child in college needs to see this disturbing documentary about the legacy of sexual abuse that takes place on campuses across the country—and the shocking lengths to which universities will go to cover it all up.
What We Do in the Shadows – This hilarious vampire mockumentary from one-half of Flight of the Conchords rivals any of Christopher Guest’s improvised comedies.
Ex-Machina – This dark sci-fi film about artificial intelligence features stellar performances from Oscar Isaac and Alicia Vikander.
Mr. Holmes – Ian McKellen shines as a 93-year-old Sherlock Holmes who’s struggling to solve one final case despite dealing with increased memory loss.
The Look of Silence – This must-see companion piece to the 2013 documentary The Act of Killing explores the Indonesian genocide from the point of view of the victims who still live under the regime that murdered their friends and family.
The Martian – Matt Damon gets left behind on Mars and we’re all the better for it.
Sicario – Emily Blunt is terrific as a tactical expert who gets trapped in the dark, seedy political underbelly of the war on drugs. The film contains some of the most breath-taking scenes of suspense put on screen this year.
99 Homes – Michael Shannon chews the scenery as a real estate operative who evicts people from their homes in this thrilling exploration of the darkest side of the housing crisis.
Other films I enjoyed this year that aren’t available yet include Steve Jobs, Brooklyn, Spotlight, Bridge of Spies, Creed, Room, and a little can-do picture called Star Wars: The Force Awakens. Check them out in theaters or look for them on DVD in the next few months. I’ll be sure to give you a final top ten list right around Oscar time, as that’s when I’ve usually had a chance to see many more contenders.
Memory loss, amnesia and the human tendency to construct images and establish narratives in the service of making sense of the past has long fascinated filmmakers, writers and artists. The ‘unreliable narrator’ has been employed by many a director and writer to create a world of uncertainty and suspense within the mind of the viewer. I enjoy films that explore the discontinuity and fallibility of our memories in the service of depicting the unstable character of our perception toward others, including our own limitations of understanding of the self. This depiction of the cruelty of unpredictability has found its way inside the DNA of countless films that have dealt with the subject in varied ways, some through the vehicle of a character’s mind and others through a narrative approach.
Hiroshima Mon Amour
Eternal Sunshine of the Spotless Mind
Away from Her
Before I Go to Sleep
Last Year at Marienbad
The Bourne Trilogy
The Long Kiss Goodnight
Fortitude is a new drama set in an isolated, northern island somewhere near the arctic. Branded as the safest city in the world, with its governor hoping to develop a high concept hotel built inside of a glacier, the citizens of Fortitude seem normal enough if you ignore the multitude of personal secrets, infidelities, emotional traumas, corruption, frozen mammoths, and you guessed it, the bizarre string of murders that are beginning to shake this once calm town's residents. For fans of dark and suspenseful shows like The Bridge and True Detective.
We own a comprehensive reference book called 1001 Movies You Must See before You Die. I’ve used it on several occasions to select titles for the collection. I am pleased to report that the library owns many of these classic films. I thought I would share a film from each decade, highlighted by the editors of the book. There are many films that we simply cannot add to the collection because they are not available or out of print.
Intolerance (1916)—D.W. Griffith’s attempt to counter the negative reception of his previous film The Birth of a Nation
Metropolis (1927)—Widely considered by critics as the first, science fiction epic, Fritz Lang’s Metropolis was far ahead of its time, incorporating elements of sex, violence and special effects into the plot structure. It so confused audiences with its various allusions, subtext and allegories that it bombed at the box office.
The 39 Steps (1935)—Before making films that unnerved American audiences in the 1950’s and 60’s, British director Alfred Hitchcock made this high octane film that employs the trope of the character who unwittingly sees something they’re not supposed to see and who then becomes entangled in a mystery (that always involves a chase) that endangers their life.
The Philadelphia Story (1940)—Slapstick and romance never worked so well in this star power-driven farce that features Cary Grant, James Stewart and Katharine Hepburn.
Umberto D (1952)—Made during the peak of Italian Neorealism’s influence, Vittorio De Sica’s heartbreaking tale of the daily struggles of an elderly man and his pet dog will undoubtedly produce a tear or two.
Who’s Afraid of Virginia Woolf (1966)—One of the great film adaptations of a stage play, Mike Nichols’ film was successful in due part to having a real life married couple playing the lead characters. Richard Burton and Elizabeth Taylor give electrifying performances in this dialogue-heavy portrait of marital gamesmanship.
Killer of Sheep (1977)—Considered by many critics an essential piece of American independent movie-making, Killer of Sheep was Charles Burnett’s first feature and his most critically praised. Subtle yet moving, the film established itself as one of the first films to depict African Americans as ordinary subjects going about their everyday lives, burdened yet dynamic, imbued with dignity and agency.
My Left Foot (1989)—The first of three Oscars for actor Daniel Day-Lewis who gives a fantastic performance in this portrait of one man’s extraordinary spirit in the face of physical limitations and social prejudice.
Goodfellas (1990)—With all due respect to The Godfather trilogy, this is the greatest mob film and arguably Martin Scorsese’s best work.
Russian Ark (2001)—The film that ultimately achieved the technical feat that Hitchcock once sought to accomplish (cameras ran out of film after 10 minutes in the late 40’s)—a film shot in one continuous take without a single cut.
Here are some selected titles that staff feel are hidden gems, secret treasures or unknown classics that you may have missed or simply never knew existed.
Before Ryan Gosling was a huge movie star and occasional internet meme, he made the quirky, small budget film Lars and the Real Girl, a tale about a socially awkward man who falls in love with…yes…a blow up doll.
Years before he struck it big with Birdman, Alejandro Innaritu directed Amores Perros, a gritty film set in Mexico City that connects several storylines and characters together ala Paul Thomas Anderson’s Magnolia or Innaritu’s more commercially successful work Babel.
Safe is “a profoundly unsettling work from the great American director Todd Haynes, Safe functions on multiple levels: as a prescient commentary on self-help culture, as a metaphor for the AIDS crisis, as a drama about class and social estrangement, and as a horror film about what you cannot see. This revelatory drama was named the best film of the 1990s in a Village Voice poll of more than fifty critics.”—The Criterion Collection
Prior to Peter Jackson’s adaptations of the Lord of the Rings books, he and a young and relatively unknown actress named Kate Winslet collaborated on Heavenly Creatures, a shocking, true crime story that took place in New Zealand in the 1950’s. Two teenage girls develop an inseparable bond and as their fantasy-fueled relationship grows increasingly lethal, their parents attempt to break them apart.
Forbidden Games is a 1952 French film that depicts the macabre yet childlike way that an orphaned girl grapples with her grief after her parents are killed by the Germans during World War II. Befriended by a young boy and taken in by his peasant family, the adults are ill equipped to sympathize with the grisly ways in which the children cope with the trauma of war.
Certified Copy might be one of the more unique and certainly beguiling films to explore the complexities and narrative like qualities of a relationship. Similar to the Richard Linklater “Before” trilogy in that these films focus on dialogue more so than plotting and action, Iranian master filmmaker Abbas Kiarostami tackles questions about truth, authenticity and subjectivity both in how these ideas manifest themselves within human relationships as well as art.
Shadows was the first film from maverick American director John Cassavetes and while it doesn’t possess the richness and complexity of his later films, it marked a key moment in the history of American cinema for its low budget appearance and verite approach. Exploring interracial relationships in New York City during the Beat-era and originally scored by bassist Charles Mingus, Shadows is considered by historians as an early prototype for what came to be dubbed “independent cinema.”
Election—Alexander Payne’s debut hits all the right marks when it comes to this high school-set black comedy starring a fantastic Reese Witherspoon as the hyper-achieving foil to Matthew Broderick’s squeaky clean teacher.
Muriel—Alain Resnais, the late French master of fragmented pyscho-dramas with beguiling plot structures made his name with Hiroshima Mon Amour and Late Year at Marienbad but fans of those works should give this lesser known work the attention it deserves.
One of the most significant and original British directors of the post-war era, Nicolas Roeg has carved out a unique and influential oeuvre, making radically inventive films that advanced the grammar of cinema. Narratively complex and often puzzling films that work like mosaics, his films tend to have very powerful images and enigmatic shifts in tone that work to foster unease and uncertainty. Known for innovations in plotting, sound effects and editing, Roeg’s most well-known movies are his finest beginning in 1970 with the beguiling Performance, starring Mick Jagger. Walkabout (1971), Don’t Look Now (1973), The Man Who Fell to Earth (1975), Bad Timing (1980), and Insignificance (1985) have all been deemed by critics as significant contributions to movie making for their adventurous, envelope-pushing qualities. The Criterion Collection has recently released arguably his best and most commercially successful film, the psychological thriller Don’t Look Now, a film so full of misdirection and subtle ambiguities, viewers will want to return again and again to plumb its possible meanings. The film, ostensibly about a grieving couple working through their trauma takes on a more sinister tone when viewers are confronted early on in the film with the possibility that “nothing is what it seems.” An absolute masterpiece without categorization.
Oscar nominations were announced yesterday, which means it’s once again time for me to let all the obsessive movie lovers out there know which films are available right now (or very soon), here at the Kalamazoo Public Library.
The first film you’ll want to get your hands on is Richard Linklater’s Boyhood. Nominated for six Academy Awards, this critical darling is the front-runner for Best Picture, Best Director (Linklater) and Best Supporting Actress (Patricia Arquette). It also received nominations for Best Actor (Ethan Hawke), Film Editing, and Original Screenplay. Boyhood is an epic coming-of-age tale that was filmed over the course of twelve years using the same actors. The story follows the journey of young Mason Evans as he ages from six to eighteen, and the viewer can literally watch the young actor grow and mature before their very eyes. It’s truly a great achievement in filmmaking.
The next movie you’ll want to watch is Wes Anderson’s The Grand Budapest Hotel, which received nine nominations—tied for the most this year. It was recognized for Best Picture, Best Director (Anderson), Original Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score and Production Design. The hilarious film follows the exploits of a hotel concierge (Ralph Fiennes) and his lobby boy (Tony Revolori) as they attempt to wrest a valuable painting from the estate of a recently deceased elderly patron. Surprisingly, this is Anderson’s first Best Director nomination and the first of his films to get nominated for Best Picture.
After that, it might be time for a marathon of Best Visual Effects nominees: Dawn of the Planet of the Apes, Captain America: The Winter Soldier, X-Men: Days of Future Past, and Guardians of the Galaxy (also nominated for Makeup and Hairstyling). Come to think of it, if there were an Oscar for the length of the movie title, these would probably be the nominees for that as well.
Then turn your eye to Best Animated Feature nominees: How to Train Your Dragon 2 is out now; The Boxtrolls and Big Hero 6 are not available yet, but they will be soon and you can place a hold on them right now. Shockingly, everything was not awesome for The LEGO Movie, which did not get nominated for Best Animated Feature as expected, but it did still pick up a nomination for Best Original Song with “Everything Is Awesome,” performed by Tegan and Sara (featuring The Lonely Island).
Next, you’ll want to check out Disney’s Maleficent, nominated for Best Costume Design; Finding Vivian Maier, a Best Documentary Feature nominee; Begin Again, Original Song nominee for “Lost Stars”; and Ida, which scored both Best Cinematography as well as Best Foreign Film.
Best Documentary nominee Virunga is available via our streaming service hoopla.
There are several more nominees that are arriving within the next several weeks that you can place a hold on right now, including eight-time nominee The Imitation Game. This true, tragic story of Alan Turing, father of the modern computer and preeminent World War II code-breaker, scored recognition for Best Picture, Best Director (Morten Tyldum), Best Actor (Benedict Cumberbatch), Best Supporting Actress (Keira Knightley), Adapted Screenplay, Film Editing, Original Score, and Production Design. The other coming-soon films that you can place a hold on now are Gone Girl (Best Actress – Rosamund Pike), The Judge (Best Supporting Actor – Robert Duvall), Nightcrawler (Original Screenplay), and Beyond the Lights (Original Song).
So start binging today, and be sure to keep checking our catalog for other Oscar nominated films as more of them become available.
For many of the Oscar nominated films that are still in theaters, be sure to check out downtown Kalamazoo’s Alamo Drafthouse Theater, which is currently playing American Sniper (6 nominations), Foxcatcher (5 nominations), Into the Woods (3 nominations), Selma (2 nominations), Inherent Vice (2 nominations), and the aforementioned The Imitation Game (8 nominations).