Paolo Sorrentino’s mesmerizing film The Great Beauty (La Grande Bellezza) is a triumphant depiction of a conflicted man standing at an emotional crossroads. Both wry in its biting humor and satire, it is a powerfully visual film (crane shots, close-ups, slow motion, zooms—the entire repertoire is employed) with boundless charity toward plumbing the emotional depths of universal themes (death, lost love, artistry, loneliness, spiritual desire) from within a carefully sketched milieu (Rome’s glamorously debauched and powerful).
Confronted with both the ubiquity of beautiful things found in everyday moments (the radiant smile of a young child, ancient sculpture, an early morning sunrise) and the grotesque and decadent trappings of Rome’s high society, well-tailored flaneur Jep Gambardella, hops from party to party, engaging in vacuous conversation that leaves him bored and wearily wondering whether being the “king” of the vapid souls of conga lines and performance artist flunkies is worth his growing ennui. When he learns of the death of a woman he had a youthful affair with many summers ago, Jep begins to soul search in between attending parties for 104 year old Saints (a dead ringer for Mother Teresa), a trip to the botox shaman and a visit to a magician who makes giraffes disappear. Much of that contemplation on the frivolousness of his life takes place during quiet strolls back to his lonely bachelor pad and this is where some of the most touching scenes of the movie take place. Sumptuous in its portrait of Rome’s scenic beauty and borderline whimsical in a way that echoes the fantastical leanings of Fellini, The Great Beauty is just that, a magnificent spectacle of visual eye candy that poetically affirms our human yearning for something other than self-absorption. Lastly, this film has a wonderful soundtrack that includes Arvo Part, The Kronos Quartet, and Damien Jurado. Far and away my favorite film from last year, The Great Beauty is also available to stream from Hoopla.
The Great Beauty