At its core, the Wong Kar-Wai film 2046 (2004) is about the anchor of memory and the struggle to move beyond the emotional stasis of ill-fated love. Developed as an associated sequel to his breathtaking classic In the Mood for Love (2000), it’s a poignant and heart-wrenching follow-up that restarts the story of Mr. Chow, an uninspired writer of pulp whose life as an aloof playboy incapable of emotionally connecting with the several women he encounters both in real life and in literature. While a central character from ITMFL is alluded to several times during the film, often hanging over the plot like a ghostly signifier for Chow’s past, one could conceivably view 2046 as a singular film about the pitfalls of timing but I would highly recommend beginning with ITMFL before undertaking the narratively intricate arcs of 2046 (there are countless allusions to the previous film that will function only to confuse the audience).
Mostly set in Hong Kong during the latter part of the 1960’s, Mr. Chow (played brilliantly by actor Tony Leung) is writing a Science Fiction story about the year 2046, a time and place where people go to relive their memories, a place where nothing changes. No one has ever come back from 2046 except for the teller of the tale, a Japanese man named Tak, a kind of stand-in for Chow. Chow’s unsentimental affair with a call girl who lives in an adjacent apartment (room number 2046) is achingly born out of Chow’s loneliness and boredom with his career but she has an earnest and quixotic plan for him that will force him to address his yearning for a past that has come and gone. Both films masterfully depict moodiness and atmosphere like few others in due part to the sensual cinematography of Christopher Doyle and use of melodic music to evoke the interior longing of characters. Prepare for a non-linear plot that jumps backward and forward throughout the film.
Recent internet buzz about a leaked trailer for the newest installment of the Star Wars series and the release of Christopher Nolan’s film Interstellar (in theaters now) got me thinking about the first, great science fiction film, Stanley Kubrick’s 2001: A Space Odyssey. It’s a beautiful enigma of a film that continues to stand up to the test of time given its enduring philosophical and scientific themes, not to mention its visual originality and marked refusal to conform to commercial and artistic conventions. It should be noted that it was not everyone’s cup of tea when it originally opened in movie theaters in 1968 and it’s glacial pacing, minimalist dialogue and conceptual approach to narrative won’t please many of today’s film viewers but for those willing to give into its pondering lyricism and subtle jabs at satire and social commentary, you will be rewarded.
If the snowy weather’s got you down and you want to watch people who are colder than you are, or if you’re in the mood to wallow in mankind’s devastating effect on global temperatures—or if you just like a good sci-fi action movie—check out the recent South Korean (but mostly English language) release Snowpiercer. Based off the French graphic novel Le Transperceneige and co-written and directed by Bong Joon-ho, best known for the rollickingly great rampaging monster flick The Host, Snowpiercer is set in a dystopian future where mankind’s attempts to reverse global warming have expedited a new Ice Age that has killed off most life on the planet. The few humans that remain live on the Snowpiercer, a massive train that continuously circumnavigates the globe. Within the train, people are divided into social classes, with the poor living in squalor in the rearmost cars, cruelly lorded over by the wealthiest passengers from the front cars. But a revolution is brewing, as man-with-a-past Curtis (Captain America’s Chris Evans) leads the impoverished on a car-by-car battle towards the engine, with hopes of overthrowing the Snowpiercer’s creator and authoritarian leader, played by Ed Harris.
Shot with cinematic grandeur, Snowpiecer succeeds on many levels: as suspenseful fight-laden actioner; as a dystopian fable; as a commentary on our environmental malfeasance; and, as an acting showcase—Tilda Swinton’s gonzo portrayal of a ministerial henchwoman is worth the proverbial price of admission alone. So check it out—the icy backdrop and chilly social undertones may just be the belly-warming tonic you need to make it through these first few frozen weeks of the season.
There’s just not enough time to compose a lengthy review of some of the great and not-so great feature films, television series and documentaries that I’ve caught over the past month, so instead, I’m handing out a grade and an abridged appraisal.
Bastards—A grim, pointless waste of time from French Director Claire Denis (C-)
Hateship Loveship—Continued proof that former SNL star comedian Kristin Wiig should keep looking for dramatic roles (B)
Orphan Black—Yes, lead actress Tatiana Maslany was robbed of an Emmy nomination for her multiple roles in this great BBC-produced show about clones (A)
Requiem for the Big East—For college basketball fans who grew up in the 1980’s and recall watching these legendary teams, this ESPN documentary will rouse a healthy dose of nostalgia (B+)
The Bridge—in keeping with the very trendy, neo-noir subject of serial killing and the relationship between detectives charged with solving the mysteries (see: True Detective), this cross-border drama explores the messy dialectics of national politics, the consequences of drug/human trafficking and the tension between rich and poor (B+)
Captain Phillips—nothing here was particularly new, assuming you followed the story when it originally unfolded, but it still remains a dramatically compelling, well-paced action film that will jump-start your adrenalin (A-)
Top Hat & Tales: Harold Ross and the Making of the New Yorker—a satisfactory if not condensed portrait of an eccentric visionary and his creative collaborators who developed a unique and lasting publication (B)
Palo Alto—a drained, vacuous sketch of the psychic ennui of rich, white teens whose lives gravitate around sex, drugs, video games and pathetic, exploitative adults (D)
Stephen King’s Sleepwalkers starts out by having Charles Brady played by Brian Krause get up in front of his class in school and read his paper about Sleepwalkers; a mother and her son and how they have to run from town to town never settling down, how the men would always come to hunt them and thus they give you the whole back story in a nut shell. Just prior to that they had a scene where Charles’ mother is telling him she is so hungry and that he has to find a virgin and bring her home so she can feed. So we know from the get go that they are these are vampire like creatures. Side note: Brian Krause was Leo on Charmed and played an angel. In this role he is the antithesis of an angel. The movie is entertaining and has cameos with Stephen King and Clive Barker which almost makes it worth watching right there. One meant to be over the top humorous scene is when Charles severs the hand of his teacher and says “People should really learn to keep their hands to themselves. Here’s yours” and he tosses the severed hand back to him. I like the way Charles and his mother change into a sleepwalker appearance. It reminded me of the television show Buffy or Angel. Their faces morph into this vampire dog like look. This isn’t the scariest movie, no big suspense build up but it is enjoyable, I especially liked the cameos and the bit overdone humor. This movie is memorable. I was talking with my friend Carlos and he saw it in Spanish. It came out in 1992, he was in the 7th grade at the time and he remembered this movie especially the murdered dead cats and that the Sleepwalkers were scared of cats. For a 7th grader this is a frightening movie.
The Last Mimzy is about a sister and her brother who discover a box of toys which turns out to be from the future sent back in time. The children of course keep this from their parents. The little girl gets a stuffed rabbit from the box and his name is Mimzy. The girl can communicate with the bunny. The Children develop special powers and try to help Mimzy fulfill his mission. This was recommended to me and as I started watching it, I came to realize I had seen it before. But I liked it just as much if not more the second time and so will you. Come on down to KPL and check it out.
Goosebumps is a series of stories by R.L. Stine designed to give you Goose Bumps, to make you get a tiny bit frightened. These stories are geared towards children, I’d say between ages 6 and 12 but it depends on the child. In Goosebumps One Day at HorrorLand a family is on vacation and comes across an amusement park called HorrorLand. They stop and go in. The two children go to the house of mirrors and the girl feels like the walls are caving in and she is going to be crushed when the floor falls out and she is expelled. The boy pops out shortly after and thinks it was a blast. Later we find that the monsters are real and the humans are on a monster reality show. The costumes are very non real looking so as an adult you are nonplussed but for a little kid it can be scary.
This DVD has two movies, the second is titled Welcome to Camp Nightmare. I found this one more to my liking. A bus takes a group of children out into the woods for a campout. Things start happening, like a snake bites one of the campers. To me this was horrifying. They used what looks like a real snake and I have a phobia for snakes. I quickly fast forwarded. Later in the movie they complement Billy on how he trapped the snake. You can’t prove that by me but I’m not checking on it either. The camper who was bitten dies and weirdly the camp consolers tell Billy that camper was never here. Other strange things happen, two campers drown in the lake and a werewolf is prowling the woods. All culminating in the ending which I will not reveal here. Except for the snake this was a pretty good short 45 min movie.
Goosebumps One Day at Horrorland and Welcome to Camp Nightmare
Under the Skin is a new film that will figuratively get under your skin with its nightmarishly surreal images and discomfiting plot. Simply put, it’s a slow-burning, almost dialogue free collection of bizarre images that possess a creepiness that leaves its evocative residue all over your mind well after the credits have rolled by. The film is careful to make sure that the weirdness is couched in ideas, specifically notions about perception and how we look at one another often from unfamiliar perspectives. Ultimately, the film feels as though it should have been fleshed out into something on an expanded scale with a more substantive engagement with its ideas. A perfect film, no. A must-see film, absolutely.
Under the Skin
Sandra Bullock may have taken on deadly space debris in Best Picture contender Gravity, but it’ll likely be Cate Blanchett that destroys her chances at winning a second Oscar come Sunday, March 2nd. That’s right, the 86th Academy Awards ceremony is less than two weeks away, which mean now’s the time to catch up on all those critically-acclaimed movies you’ve been meaning to watch. Thankfully, the Kalamazoo Public Library is here to help with this list of all the Oscar-nominated films that you can check out from us right now:
- Best Picture nominee Captain Phillips received 6 nods overall, including Supporting Actor (Barkhad Abdi), Adapted Screenplay, Film Editing, Sound Editing and Sound Mixing (Tom Hanks just missed the cut for Best Actor, but his performance is riveting, especially in the film’s final 10 minutes).
- Cate Blanchett is the front runner for Best Actress in Woody Allen’s Blue Jasmine. The film also received nominations for Supporting Actress (Sally Hawkins) and Original Screenplay.
- Best Animated Feature nominees The Croods and Despicable Me 2 are available now (Front-runner Frozen will be here in March). Despicable also received a nomination for Best Song with Pharrell Williams’ “Happy.”
- Four of the five Best Documentary Feature nominations are here: The Act of Killing, Cutie and the Boxer, Dirty Wars, and 20 Feet from Stardom.
- Big-budget summer films Iron Man 3, Star Trek Into Darkness, and The Lone Ranger received nominations for Best Visual Effects. Ranger also received a nod for Hairstyling & Makeup alongside fellow unlikely-contender Jackass Presents: Bad Grandpa.
- Baz Luhrmann’s opulent take on The Great Gatsby was recognized for Costume Design and Production Design.
- Best Foreign Language Film nominee The Hunt is currently available, while fellow contenders The Broken Circle Breakdown and The Great Beauty will arrive in March.
- The third part of Richard Linklater’s beloved romance trilogy, Before Midnight, received an Adapted Screenplay nod.
- All is Lost features a great performance from Robert Redford and was recognized for Best Sound Editing.
- Abduction thriller Prisoners is competing for Best Cinematography.
Several more Oscar contenders will be available on DVD or Blu-ray very soon:
- With 10 nominations (including Bullock’s), Gravity (available February 25th) will be a force to be reckoned with on Oscar night. It has a great shot at winning Best Picture and Director (Alfonso Cuarón) and is also the front-runner for technical categories like Visual Effects, Sound Editing, and Sound Mixing. The film was also recognized for Cinematography, Film Editing, Original Score, and Production Design.
- Also out on February 25th is Nebraska, which welcomed nominations for Best Picture, Director (Alexander Payne), Actor (Bruce Dern), Supporting Actress (June Squibb), Cinematography, and Original Screenplay.
These Oscar contenders will be available in March, and you can place a hold on them right now:
- 12 Years a Slave received 9 nominations, including Best Picture, Director (Steve McQueen), Actor (Chiwetel Ejiofor), and Supporting Actress (Lupita Nyong'o).
- American Hustle was nominated for 10 Oscars, including Best Picture, Director (David O. Russell), Actor (Christian Bale), Actress (Amy Adams), Supporting Actor (Bradley Cooper), and Supporting Actress (Jennifer Lawrence).
- Dallas Buyers Club has 6 nominations, including Best Picture, Actor (Matthew McConaughey) and Supporting Actor (Jared Leto), and both actors are favored to win in their respective categories.
- The Wolf of Wall Street was nominated for Best Picture, Director (Martin Scorsese), Actor (Leonardo DiCaprio), Supporting Actor (Jonah Hill), and Adapted Screenplay.
- Philomena is competing for Best Picture, Actress (Judi Dench), Original Score, and Adapted Screenplay.
- Also arriving in March are nominees The Grandmaster (Cinematography, Costume Design), Inside Llewyn Davis (Cinematography, Sound Mixing), The Book Thief (Original Score), Saving Mr. Banks (Original Score), and Mandela: Long Walk to Freedom (Original Song).
Keep an eye out for the rest of the nominees, which are sure to follow. In the meantime, come on down to KPL and start prepping for Oscar night!
The movie and the man “Riddick” is one of the deadlist frogs you would ever meet. Riddick played by Vin Diesel is a man not a frog, just to be clear. I just like that it sounds like Ribbit Ribbit like a frog. Riddick being the past Lord of the Necromongers would probably not like having his name made fun of. In the movie Riddick has made a deal with Commander Vaako; the location of Furya and a ship to take him there, in exchange for Vaako becoming the next Lord Marshall. Well, they take him to a desolate planet instead and try to kill him. Riddick kills most of his assassinators. But Krone manages to shoot up a rock ledge causing a landslide to burry Riddick. This was all a lead up to keep the story in line and get to what most of this movie is about. Riddick needs to get off the planet. The Planet is full of deadly creatures, one looks like a scorpion but is much larger, more like 50 pounds. The other is a creature that looks a cross between a dog and a leopard. Mostly Riddick is a harden heart kind of guy who can easily kill but he also lives by a code. In this movie they humanize him and make you like him a little more than the bad guys he fights by having him get one of these leopard dog puppies. The dog when grown fights by Riddick’s side and alerts Riddick to danger. Riddick finds an abandon outpost (how convenient, without this there would be no movie, he would just die) He sets a bunch of traps and then hits the emergency beacon which scans him and sends out an alert that Riddick a wanted man with a large bounty is here on this planet. Two different teams come and try to claim the bounty. Riddick leaves a note in the blood of one of them to leave him one ship. The rest of the movie is various attempts to catch or kill Riddick and Riddick killing them. I found the one shot of them looking for Riddick and he is sitting on top of their space ship listening to them scurry about in terror of him, while he is peeking through their sun roof and cutting off pieces of a carrot and eating them to be comical. I think it was supposed to show how superior he is but it gave me a chuckle instead of awe. This is the third movie in a series of Riddick movies. From the sounds of the extras on the DVD there will be more Riddick movies. Give it a try or see them in order, Pitch Black 2000, The Chronicles of Riddick 2004 and Riddick 2014.