The new documentary film Room 237 may have only limited appeal but if you love Stanley Kubrick’s movies (Paths of Glory, Full Metal Jacket, The Killing, 2000: A Space Odyssey), especially his adaptation of Stephen King’s novel The Shining, then this is a must-see film. Structured as an introduction to the many provocative theories about The Shining and its meaning, viewers hear (but never shown) several die-hard fans meticulously outline what they think the film is about and what Kubrick was attempting to express. Those interested in Kubrick’s controversial version (Stephen King hated it) conspiracy theories will love the film and the way it depicts both the intellectual limits of critical semiotics and deconstruction as well as the depth of passion and obsession invested in such a project. Was it really a deeply coded criticism of the genocide of the American Indian or could it have been a winking apology for Kubrick’s participation in the faking of the moon landing and c’mon, what’s up with those cans of Calumet baking soda? If anything, the film proves that art and an artist’s intentions can be interpreted in a number of ways, often resulting with comical conclusions but it also serves as a celebration of theory as an intellectual exercise in deepening our capacity to think more dynamically and critically about the power of messaging and the coding of media.