When talking about directors who consistently make provocative, intellectually-inspired films that are commercially successful while not slighting of the audience’s acumen, the conversation must include the films of the Coen brothers (Joel and Ethan). Known for their genre bending, dark comedies, the Coen’s have made some of the most memorable films of the past two decades, including the adapted No Country for Old Men, which won Best Picture in 2007, Fargo (1996), Raising Arizona (1987), Miller’s Crossing (1990), and the cult masterpiece, The Big Lebowski (1998). There have been a couple of missteps along the way (Intolerable Cruelty and The Lady Killers) but for the most part, their unique vision of human destiny embodies a distinctive mixture of gallows humor, richly drawn characters, and absurd circumstances that often pit their protagonist against both the quirks of chance and the poorly conceived decisions of individuals. While I wouldn’t characterize their newest film A Serious Man as one of their best movies, it remains as one of last year’s better films that will likely satisfy the devotee. What do you get when you engage a Coen Brothers film? A little bit of crime fiction, a dash of film noir, a teaspoon of odd ball comedy, a bag of literary and film allusions, topped off with a pinch of both real and implied violence thrown in. Of their 14 full length films, the following selection is arguably their most important.
No Country for Old Men (adapted from a Cormac McCarthy novel)
The Big Lebowski