Staff Picks: Music
Looking for artists similar to those you already know about and enjoy? Well, we’ll try to make suggestions that expand your musical listening experience by connecting like-sounding artists together.
• Liked Jackson Browne, try Dawes
• Liked The Avett Brothers, try The Felice Brothers
• Liked Neko Case, try Laura Marling
• Liked Miles Davis, try Chet Baker
• Liked MGMT, try The Flaming Lips
• Liked The Cocteau Twins, try Beach House
• Liked New Order, try The Knife
• Liked Bob Marley, try Peter Tosh
• Liked Billie Holiday, try Diane Krall
• Liked The White Stripes, try Wanda Jackson
• Liked Wilco, try Fleet Foxes
• Liked Pink, try Robyn
• Liked Bon Iver, try Elliott Smith
• Liked Mumford and Sons, try The Head and the Heart
• Liked Frank Sinatra, try Kurt Elling
the head and the heart
The 8-disc compilation The 100 Best Jazz Tunes of the 1950’s is an absolutely fantastic introduction to the music of jazz for both the well-versed aficionado as well as the eager novice seeking to expand their listening library (see: My co-worker Kevin King's previous post). This was a great decade for jazz development, ushering in various stylistic trends including Bop, Post-Bop, Cool and the first signals of what one might refer to as Free Jazz. It’s a who’s who of legendary musicians from Jazz's heyday, many of whom are featured playing their signature tunes. Included are Charlie Parker, Miles Davis, Sarah Vaughan, Django Reinhardt, Sonny Rollins, John Coltrane, Billie Holiday, Nina Simone, Art Blakey & the Jazz Messengers, Charles Mingus, and many more. If you just wanted to add a little bit of Jazz to your iTunes library, this is the one title to start with.
The 100 Best Jazz Tunes of the 1950's
One of my personal goals for 2014 was to try and find a way into jazz music. It has always been a genre of music I’ve had difficulty understanding, so I wanted to discover if I could learn to appreciate it. Another reason is that my 13 year old daughter, Abigail, is a HUGE fan of Miles Davis so I wanted to share something with her on the car rides to her various extra-curricular activities. On a whim, I checked outTime Out by The Dave Brubeck Quartet which has become the first course in my jazz education. My instructor was Abigail who pointed out how the timing of each song was different. We continued to discuss the unique blend of cool and West Coast jazz that Brubeck made popular. I then had to research the story behind Time Out and discovered that the time signatures Brubeck used were very unusual and groundbreaking at the time. He was inspired by Turkish street musicians while touring Eurasia for the US State Department. I was amazed at the story behind the origins of the record as well as how my daughter was able to pick up on the innovative style of The Dave Brubeck Quartet. I am truly excited to enter 2014 looking forward to learning from a 13 year old jazz head. Maybe she will teach her old punk rock dad how to love the music that truly symbolizes the American spirit. If not I cannot find my way past Brubeck and Davis, I at least get to spend some time with my daughter. Whatever the result, I win.
Butler is a native of Cape Town, South Africa. He started singing on the streets of Athlone for food and began touring when he was 7 years old. It’s hard to peg him because he has so many great sounds. He’s a singer, song writer and guitar player and he’s been described as a rhythm and blues, jazz and worship performer. He would probably approve of those tags because he does all of them well but I think his heart is in his gospel music. He's good! His cool jazz blends well into a gospel. And as far as rhythm and blues is concerned, I had to look the definition up and make sure I knew what rhythm and blues was. Under R&B, I saw words like urban, soul, gospel and others that would classify Butler as a contemporary R&B artist. Well, one thing is for sure, he's definitely got rhythm and he knows his blues. Still, I think Jonathan Butler would like to be best known for his uplifting, spiritual sound, which he is highly respected for.
KPL has several of his CDs. Some of his titles are Jonathan Butler, Surrender, The Source, Do you love me? He’s on a jazz CD called Summer Horns with Dave Koz and friends. Watch for his new CD Grace and Mercy. I'm sure it, too, will have a great sound.
In 2001 the way the world listens to music changed when Apple introduced the iPod. Two years later, the iTunes Store opened for business offering owners of iPods a virtual place to purchase music. Over the past ten years billions of songs have been downloaded to the many Apple iOS devices. Some would argue that iTunes has destroyed the idea of a “traditional” album, but others claim that more people listen to different music because it is easier to access music. No matter how you feel, it is hard to deny that iTunes is the “King of all Media Delivery Systems.”
I was curious to find out what the most played song was in the iTunes libraries of the staff at KPL. The answers not only provided me with insight on the listening habits of staff, but also inspired me to seek out the stuff in the library.
The most played song in my iTunes library is Matthew Sweet’s “I’ve Been Waiting” from his 1991 album, Girlfriend. When I think about why this particular song is on top of the list, I recall the summer when both my daughters requested to listen to it multiple times. They liked to roll down the windows and sing along to infectious tune. My guess is the top tracks from other staff have a similar story.
• “Too Late” by Shoes, Karl Knack, Audio Visual
•“Fluorescent Adolescent” by Arctic Monkeys, Anne Herrington, Law Library
• “Plasticities” by Andrew Bird, Susan Lindemann, Facilities Management
• “Teenage Riot” by Sonic Youth, Michael Cockrell, Adult Services
•“Feels Like Home” by Edwina Hayes, Jill Lansky, Teen Services
• “Gobbledigook” by Sigur Ros, Rick Hale, Patron Services
•“Baby Girl” by Sugarland, Andrea Vernola, Youth Services
• “Dirty Little Secret” by All-American Rejects, Wendy Hand, IT
• “Don’t Stop ‘Til You Get Enough” by Michael Jackson, Angela Fortin, Oshtemo
• “Myth” by Beach House, Ryan Gage, Audio Visual
As I was reviewing the lineup for the summer concert series at Frederik Meijer Gardens and Sculpture Park in Grand Rapids, I came across a few artists/groups unknown to me. Having now spent a considerable amount of time researching those, I have a new favorite, Big Bad Voodoo Daddy, and I can’t wait to go see them in August.
Among other performers coming to Meijer Gardens that are of particular interest to me: Michael Franti and Spearhead, Steve Martin and the Steep Canyon Rangers, The John Butler Trio, Grizzly Bear, David Byrne & St. Vincent, Pink Martini and Sheryl Crow
Rattle Them Bones
The singer Emmy Rossum is known mostly for her various television (Shameless) and film performances (The Phantom of the Opera) but she also has the trained pipes of an accomplished singer. We’re not talking about the sort of actress, who uses their fame to influence the music industry to play along with their middling vocal talents (see: Scarlett Johansson). Rossum can truly bring the noise as she clearly shows in her new album Sentimental Journey, a collection of old timey jazz standards (Autumn Leaves, Nobody Knows You When You’re Down and Out) and retro-swinging country (Things, Pretty Paper). The album is on order so keep an eye out for it. It will be here soon. Listen to some of her renditions here.
“If you go out searching for jewels and treasures elsewhere, you're liable to miss the acres of riches that lie beneath your feet.”—Bryan Cohen
Today’s buried treasure from the Friends Bookstore is a tasty musical offering by David Sylvian, Dead Bees on a Cake, released in 1999. If you’re not already familiar with Sylvian’s work, give his material a listen. Who to compare him to? His voice draws an obvious similarity to Bryan Ferry, but musically, Sylvian is more muted and much more diverse; closer say to a Peter Gabriel or a Daniel Lanois—dark, mysterious at times, but rich and deeply moving.
Sylvian is an excellent songwriter who typically surrounds himself with contemporary musical heavyweights. Bees, however, follows a series of more upbeat “prog-ish” collaborations with Robert Fripp, so a musical departure seems somewhat inevitable. Bees has a slightly more jazzy, worldbeat feel than its predecessors—very much in the same vein as the later period recordings by Talk Talk. Guest musicians, though few this time, include jazz guitarist Bill Frisell, composer and pianist Ryuichi Sakamoto, and a brief appearance by Steve Tibbetts. Sylvian’s discography calls this release “openly celebratory in nature… documenting an eventful and transformative period in his life.”
Thanks once again, Friends – a good find, indeed!
Consider this little series my own version of “Flea Market Finds,” an ongoing report of the latest bargains unearthed in the lower level of Central Library. What a treasure we have (quite literally) in the Friends Bookstore. When you can grab high quality books, music, and movies for little more than pocket change, life is good. And all the proceeds go to a great cause, too. So shop often; you never know what you’ll find. And stay tuned… I’ll let you know what I find!
Dead Bees on a Cake by David Sylvian