If you enjoy the retro sounds of 1960’s soul and rhythm and blues that artists like Alabama Shakes, Raphael Saadiq, Amy Winehouse, and Sharon Jones and the Dap Kings have kept alive and fresh, check out the debut album by the young singer Leon Bridges, a guy that you can bet has listened to a few Motown and Sam Cooke records over the years.
Freegal is your access to free downloaded music from the Sony Music catalog. A streaming option has now been added to their catalog. Download 5 of your favorite songs each week or listen to a full album by streaming (5 hours/week). Visit our Download page on the KPL site for more information and helpful links to our other digital services.
One of the most buzzed about jazz albums of the year is Miles Davis at Newport: 1955-1975, the Bootleg Series Volume 4. Our compact disc copy will be here soon but if you don't want to wait, stream this extraordinary portrait of one of jazz's most important innovators which includes performances with legendary collaborators John Coltrane, Paul Chambers, Bill Evans, Thelonious Monk and Julien "Cannonball" Adderley.
My co-worker Kevin posted his favorite music of the year several weeks back and now I'm following up with my own. I know of a certain band called Beach House whose newest release will likely end up on my list come 2016 but for now, here goes:
Sufjan Stevens, Carrie & Lowell
Bryan Ferry, Avonmore
Father John Misty, I Love You, Honeybear
The Tallest Man on Earth, Dark Bird Is Home
Leon Bridges, Coming Home
Kendrick Lamar, To Pimp a Butterfly
Miles Davis, Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4
Tame Impala, Currents
Jessica Pratt, On Your Own, Love Again
Ariel Pink, Pom Pom
Run the Jewels, Run the Jewels 2
I’m not sure where I first learned about the Portuguese music of Fado. It’s an acoustic-based music that developed around the early 19th century with sorrow and lament at its emotional heart. We’ve added a few titles that introduce the exploratory listener to an array of older and contemporary artists who passionately tap into themes of mourning, life on the sea and the difficulties of life.
The Rough Guide to Fado
Fado de Lisboa
Legends of Fado
For those looking to expand their knowledge and appreciation of the wide range of musical traditions, styles and instrumentation found beyond the borders of the United States, look no further than our World music category and our collection of The Rough Guide series. Here is just a sampling of some of the titles that this unique series offers:
The Rough Guide to Klezmer
The Rough Guide to Fado
The Rough Guide to Bhangra
The Rough Guide to Psychedelic Brazil
The Rough Guide to Bollywood Disco
The Rough Guide to Congo Gold
And many more…
I’ve never really gravitated toward the wispy folk pop of musician Sufjan Stevens. His previous ‘concept’ albums seemed a bit too precious, a little too cloying. But his newest album, Carrie & Lowell is a powerful work of melancholy that proves you can link creative expression with grief and not have it come off as an exercise in showy, self-absorption. Stevens has always made albums that are arranged around a particular narrative theme and his newest is no different. This time around, it’s personal, very personal and that's why it's the rawest, best work of his career. This is a heartfelt tribute to his mother who recently passed away from cancer. Beautiful, touching, lyrical, poignant are all words that will be used to describe this album that explores Stevens’ sometimes troubled relationship with his mother who suffered from mental illness. One of the best of 2015.
Sometimes I'll judge an album by its cover. I know I shouldn't but when terrible hairdos, wide ties and 1970's polyester are involved, c'mon, can it really be worth listening to? Well, look beyond the corny cover photograph and you'll find a lot to like about this album which pairs two musical heavy weights together as they make their way through sorrowful laments and heart-felt longing. This album cobbles together two previous titles, The Tony Bennett and Bill Evans Album (1975) and 1977's Together Again. Bennett, at the time of the recordings, was not considered a "jazz singer" as much as troubadour of Broadway tunes and American Songbook Standards and these recordings certainly suggest that his enthusiasm for jazz was greater than his skill set. He did however correctly choose to marry his vocal strengths with a talented piano player who can more than hold his own when Bennett takes a breather from the mic. The results are excellent and jazz listeners will eat up this classic if they haven't heard it already.
- 7/8/2015 02:51:31 PM, by Ryan
- Topics: Jazz
Honestly, I’m a bit exhausted with the saturated landscape of sensitive singer songwriters who wear their earnest blues and sorrows on their cowboy shirt sleeve. Most are decent if not completely unspectacular at crafting sometimes catchy tunes but whom nevertheless fail to breathe any kind of new life into the tired folk singer formula. But then comes along an album like Tallest Man on Earth’s Dark Bird Is Home and I’m humming along to a first world angst channeled by an earthy sneer that probably originated somewhere in the Delta about 80 years ago but now is sung by this Swedish lad and pretty much every other bourgeois troubadour obsessed with Bob Dylan. There’s nothing new here, nothing of a particularly terrible nature either. That’s both a problem and not really one at all I suppose.
A new Netflix documentary titled What Happened, Miss Simone? has recently generated interest from film and music critics. Simone was a true original in every sense of the term. Her resume includes being a classically trained musician who attended Julliard, a vocal civil rights firebrand who wrote songs memorializing MLK and the young victims of a church bombing in Mississippi (Mississippi Goddamn), and an innovative Jazz vocalist who often mixed her classical training into her renditions of Jazz and Blues standards. She was also a complex human being who suffered from mental illness and butted heads with the music industry throughout much of her career. She’s widely considered one of the great musicians of the 20th century. Check out her music from the library’s music collection or stream the albums through Hoopla and Freegal.
Soak is the moniker used by the precocious talent Bridie Monds-Watson, a sensitive, singer songwriter from Derry, Ireland. Only a teenager, her debut album Before We Forgot How to Dream is a collection of moody folk/pop that can feel like a perfect soundtrack to a rainy day. The production of the album is crisp and polished with her thick Irish accent submerged within boundless reverb. As far as first albums go, Soak's gloomy portraits of teenage anxiety exhibits promise for this emerging artist.
- 6/25/2015 01:33:00 PM, by Ryan
- Topics: Rock