While The Black Keys have had a committed fan base since the release of their first album in 2002, The Big Come Up, it wasn’t until the success of their 2010 release of Brothers that the band really took off. Three Grammys later, and over 847,000 albums sold, “The Keys” are back to release what is perhaps their most awaited album yet, El Camino.
The album’s hype may be entirely new to the band, but the music found within it is strongly rooted in sounds The Black Keys have been creating since the beginning. El Camino is drenched in the tones of raw, overdriven guitars, and hard-pounding drums. This is a very “earthy” sort of blues-rock.
Yet, the album also remains incredibly soulful. Dan Auerbach’s vocals are routinely backed up with a choir of harmonies on choruses, and no song is ever too far removed from the next great organ accompaniment. It’s the use of these small, subtle sound arrangements that give El Camino its style and keep the listener coming back for repeat plays.
Some fans of early Keys material have complained that the album sounds too slick and overproduced, possibly as a result of working with legendary producer Danger Mouse. However, the core of what makes The Black Keys sound is definitely still intact on El Camino, even if the production has evolved somewhat from their humble beginnings. Think of it as a fresh, new coat of paint on an otherwise old and changeless factory building, sitting somewhere near the rough side of town.
Let’s hope The Black Keys are a structure that will remain standing for a very long time.
Check out “Lonely Boy,” “Gold on the Ceiling,” “Little Black Submarines,” or “Run Right Back” if you’re ready to get the jams started!
El camino [sound recording]