To me, listening to an Iron and Wine album has always felt a little like being alone on a back porch with Sam Beam while he tells you secrets. How do you make that sound better? Just add horns. Ghost on Ghost, his fifth studio album, has not lost that intimate quality, but it has gained interesting musical complexity. The depth is still mainly in the vocals, but there is more to enjoy in the spaces in between. If you are a little bit folk, a little bit funk, and dig a good jazz solo, then you are likely to really enjoy this release.
Ghost on Ghost
The robots from Daft Punk are back after an eight year break with a new record released today and all of the new tracks are available NOW, for KPL patrons to download for free through our Freegal service. Random Access Memories is unmistakably a Daft Punk record, with the familiar vocoder and synth aesthetic, but breaks new territory with some live instrumentation thrown into the mix. The robots have collaborated with a bevy of their human musical heroes on the record and the results are often sublime, especially on THE summer jam of 2013 imo 'Get Lucky' featuring Pharrell Williams and Nile Rodgers. If this track doesn’t entice you to check out Freegal and all of the great free music available with your KPL card, and get you dancing at the same time, nothing will.
Random Access Memories
In 2001 the way the world listens to music changed when Apple introduced the iPod. Two years later, the iTunes Store opened for business offering owners of iPods a virtual place to purchase music. Over the past ten years billions of songs have been downloaded to the many Apple iOS devices. Some would argue that iTunes has destroyed the idea of a “traditional” album, but others claim that more people listen to different music because it is easier to access music. No matter how you feel, it is hard to deny that iTunes is the “King of all Media Delivery Systems.”
I was curious to find out what the most played song was in the iTunes libraries of the staff at KPL. The answers not only provided me with insight on the listening habits of staff, but also inspired me to seek out the stuff in the library.
The most played song in my iTunes library is Matthew Sweet’s “I’ve Been Waiting” from his 1991 album, Girlfriend. When I think about why this particular song is on top of the list, I recall the summer when both my daughters requested to listen to it multiple times. They liked to roll down the windows and sing along to infectious tune. My guess is the top tracks from other staff have a similar story.
• “Too Late” by Shoes, Karl Knack, Audio Visual
•“Fluorescent Adolescent” by Arctic Monkeys, Anne Herrington, Law Library
• “Plasticities” by Andrew Bird, Susan Lindemann, Facilities Management
• “Teenage Riot” by Sonic Youth, Michael Cockrell, Adult Services
•“Feels Like Home” by Edwina Hayes, Jill Lansky, Teen Services
• “Gobbledigook” by Sigur Ros, Rick Hale, Patron Services
•“Baby Girl” by Sugarland, Andrea Vernola, Youth Services
• “Dirty Little Secret” by All-American Rejects, Wendy Hand, IT
• “Don’t Stop ‘Til You Get Enough” by Michael Jackson, Angela Fortin, Oshtemo
• “Myth” by Beach House, Ryan Gage, Audio Visual
Fans of The Raveonettes, The Smith Westerns, Night Moves, The Pains of Being Pure at Heart, Suede, and Arcade Fire will find something in the cliché-bloated anthem rock of the band The Guards and their newest long player, In Guards We Trust. There’s nothing particular inspiring about this record given it treads over familiar ground with its thick use of dense, multi-track vocals and heavy coats of reverb that does well to cover the rather innocuous nature of the songwriting, but then again, if you’re only looking for a couple of good songs to bob your head to while heading to the beach this summer, give it a try.
In Guards We Trust