Public Art

Culture in action : a public art program of Sculpture Chicago by Mary Jane JacobCulture in action : a public art program of Sculpture Chicago
Jacob, Mary Jane
1995
Describes and illustrates the innovative process of public dialogue and involvement that underlay eight works of public art in Chicago, in a project organized by Mary Jane Jacob. Among the works are a multi-neighborhood parade, a community storefront hydroponic garden for HIV/AIDS patients, a new line of candy produced with members of a candy-making union, and a video installation by teenagers from the tough West Town neighborhood. No index or bibliography. Published by Bay West, 115 West Denny Way, Seattle, WA 98119-4205. Annotation c. by Book News, Inc., Portland, Or.
Art in the Stations : the Detroit people mover by Irene WaltArt in the Stations : the Detroit people mover
Walt, Irene
2004
The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. The works of ten Michigan artists reference Detroit whenever possible: the mosaic in the Cobo Hall station depicts seven full-scale automobiles; at the Grand Circus Park stop, a bronze life-sized figure reads the Detroit FreePress and Detroit News; the Financial District station is titled "'D' is for Detroit"; and the art in four stations was constructed entirely of Detroit's world-renowned Pewabic pottery tile. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible..Enriched Content Provided by Syndetics
Visual shock : a history of art controversies in American culture by Michael  KammenVisual shock : a history of art controversies in American culture
Kammen, Michael
2006
From the early years of the American Republic to the present, art and architecture have consistently aroused major disputes among artists, critics, scholars, politicians, and ordinary citizens. Now one of our most respected cultural historians chronicles these clamorous debates about the public appropriateness of paintings, sculpture, memorials, and monuments. Michael Kammen examines the nature, diversity, and persistence of major disputes generated by art and artists and shows what has changed since the 1830s and why. He looks at the role of artists and patrons, local and national governments, conservatives and liberals, and the media in creating and sustaining heated controversies. We see the notable acceleration of such episodes since the 1960s; the effect of the democratization of American museums; the quest for provocative shows to attract crowds; the increased visibility resulting from the public art movement that has stirred anger and created some of our stormiest battles; the desire of many artists and galleries to shock, provoke, and contest, engendering the perplexity, if not outright hostility, of audiences; the use of art as social criticism; the effort to include and appeal to minorities; the threat of litigation and the role of courts; and the commercialization stemming from dependence on corporate sponsorship. Kammen’s central themes include such questions as, What kind of art is most appropriate for a democratic society? What should our relationship be to Old World criteria of excellence in the arts? How can we achieve a distinctively American art? Why have so many controversies hinged upon issues of nudity, decency, and sexuality? Why has public art (most notably sculpture) become so politicized that began in the late 1960s? He explores the “death-of-art” debate since the 1970s and issues of censorship that have arisen over time. Finally, he asks whether art controversies have invariably had a negative effect—noticing the interesting ways in which minds have been changed and museums have overcome difficult episodes. He also reminds us that when New York’s Museum of Modern Art celebrated its twenty-fifth anniversary, President Dwight Eisenhower declared “as long as artists are at liberty to feel with high personal intensity, as long as our artists are free to create with sincerity and conviction, there will be healthy controversy and progress in art.” Kammen agrees.Enriched Content Provided by Syndetics
Christo by Marina VaizeyChristo
Vaizey, Marina
1990
Christo's art is a paradox. Massive yet delicate, even evanescent, his projects built of plastics and metals look like naturalistic interventions in the ``real'' world. Running Fence , a ribbon of mother-of-pearl-colored nylon fabric, responds to the changing light as it stretches across countless miles in California. When Bulgarian-born Christo Javacheff wraps a motorcycle, an armchair or an entire building in tarpaulin or plastic, the act of wrapping seems simultaneously to conceal, enshrine, bury and iconize the object. In this attractively illustrated showcase, art historian Vaizey interprets Christo's productions as theater and public performance: he has erected cheerfully painted Pop storefronts and a wall of empty oil barrels; he has wrapped a Paris bridge in shimmering golden fabric. A joint Japan-U.S. Christo project, previewed in the book, will set thousands of blue-and-yellow umbrellas bobbing across parks and fields. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.Enriched Content Provided by Syndetics
Christo and Jeanne-Claude : on the way to The Gates, Central Park, New York City by Jonathan FinebergChristo and Jeanne-Claude : on the way to The Gates, Central Park, New York City
Fineberg, Jonathan
2004
Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric -- sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence in Sonoma and Marin Counties, California, Surrounded Islands in Miami, The Pont Neuf Wrapped in Paris, The Umbrellas, Japan-USA simultaneously in Japan and California, and the Wrapped Reichstag in Berlin. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates will consist of saffron-colored fabric panels suspended from the horizontal tops of around 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways in Central Park. The installation will be on view for sixteen days, beginning February 12, 2005. Enriched Content Provided by Syndetics
Banksy by  BanksyBanksy
Banksy,
1985
Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas.If you look hard enough you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. And now for the first time, he's putting together the best of his work uaold and new in a fully illustrated colour volume.