In less talented hands, Her could have become a mess of empty romantic sentimentality or an opportunity for heavy handed statements about the future hazards of alienating technologies. But viewers are in luck, the inventive mind of Spike Jonze (Being John Malkovich, Where the Wild Things Are, Adaptation) has made a sensitive and powerful film about the limits and possibilities of human intimacy as mediated through artificial intelligence. Her is a magnificent film that hits the right notes over and over again without giving into satire or weighty pessimism. The film’s casting is superb, the music perfectly fits the emotional tones and the visual imagery of a near-future only delicately disorients our sense of time and setting, leaving the viewer to consider the subject matter as a deeply contemporary one. Fans of films like Lost in Translation, Harold and Maude, The Eternal Sunshine of the Spotless Mind, Beginners, and The Future will likely be drawn into Jonze’s quirky world where timeless desire in the future has less to do with operating systems and more to do with the continuous puzzle of the mind/heart machine.